One of Mary Wigman’s most famous students was Gret Palucca, who soon achieved a similar level of fame as a solo dancer and also established her own school in Dresden in 1925. After the Second World War, she was able to re-found and expand her school and educate generations of dancers – despite constant conflicts with cultural functionaries of the GDR – not only physically but also spiritually and artistically to creativity and independence. As a founding member of the Academy of Arts of the GDR, she was its vice-president from 1965-1970, which is why Palucca’s actual estate is in
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Among Laban’s students was the German dancer and dance teacher Jenny Gertz (1891-1966), who became known mainly for her dance work with children. Gertz’s communist commitment led to the closure of her school in Halle/Saale by the Gestapo during National Socialism. She emigrated to Prague and later to England, where she continued teaching children’s dance. After the end of the Second World War, Gertz returned to Halle/Saale, where her pedagogical principles and methods were hardly recognised. Her estate at the Tanzarchiv Leipzig contains letters, manuscripts and teaching materials as well as photographs and short films. Research
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The founder of modern dance in Germany, Mary Wigman began her dance career in Émile Jaques-Dalcroze’s school of rhythmic gymnastics in Hellerau. In 1912 she left Hellerau and became a pupil and collaborator of Rudolf von Laban in Ascona, Munich and Zurich. Wigman’s work as one of the best-known dancers and choreographers of expressive dance contributed greatly to the establishment of dance as an independent art form. In 1920 she opened her school in Dresden, which she continued to run until 1942. During the war she moved to Leipzig, where she continued to teach under increasingly difficult conditions. In the
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The German dance critic and theorist Fritz Böhme studied literature and art history in Berlin. As department head of the arts section of the Deutsche Allgemeine Zeitung, he published his dance reviews almost daily for years from 1919 onwards. In the Weimar Republic, Böhme was a driving force behind the establishment of dance congresses, dance journals and dance teaching forums. His main goal was the creation of a national dance academy and a national archive for dance history. His estate contains materials on the dance scene of his time: essays, manuscripts and lectures, Böhme’s correspondence, documents on contemporary dancer personalities,
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One of the most important holdings of the Tanzarchiv Leipzig is the estate of the dancer, choreographer and dance theorist Rudolf von Laban. With his “School for Art” on Monte Verità near Ascona, he developed ideas for a new movement pedagogy and a movement script from 1911 to 1917, which he further perfected at the end of the 1920s (Kinetography or Labanotation). Due to his artistic, theoretical and pedagogical impulses, he is considered a pioneer and co-founder of modern dance in Germany, where he also had a significant influence on amateur dance through movement choruses. In the 1930s, Laban also
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Together with her husband Julius Blasche, the folk dance collector, choreographer and author is one of the most important personalities of the folk dance movement in Germany in the 20th century. As a member of the Wandervogel movement, she collected and published traditional folk dances and created her own dance games. After the Second World War, she worked to promote exchange between folk dancers in West and East Germany. The Anna Helms-Blasche Collection contains her correspondence, dance booklets, manuscripts, postcards, photographs and newspaper cuttings. Research
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Overview of the collections In addition to a wide range of books and periodicals, the collections include numerous photographs, films, videotapes, DVDs, and sound recordings, as well as a large collection of programmes and posters and individual estates and bequests containing a wide variety of documents and media. The internationally prominent personal collections include: the estate of the dance revolutionary Rudolf von Laban (until his exile in 1938); partial collections on Mary Wigman and Gret Palucca; photos, documents, and masks of the “red” dancer and choreographer Jean Weidt; the estates of the dance teachers Jenny Gertz and Ilse Loesch; and
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The Tanzarchiv Leipzig e.V. association, in cooperation with the Institute of Theatre Studies and the Leipzig University Library, promotes the accessibility and research of the Tanzarchiv’s collection holdings. With events, publications, and artistic projects, the work of the association aims in particular at the public communication of the collections as well as the topics and questions connected with them in various contexts. The cultural heritage of dance in Germany is distributed among many memorial institutions, archives and collections, most of which are united in the Association of German Dance Archives where they also pursue joint projects. Applications for membership and
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Dance Archive Leipzig GDR Petermann Laban Wigman Palucca Weidt Rudolstadt Moscow Folk Dance Dance Ensembles Documentation VDT Collections Research Reading Room Böhme Gertz Loesch History Association Publications AG ARCHIVE Projects Research Catalogues Kalliope Visit Lehmen Scholz Pauls Kinetography Posters Records Photos Films Masks Programs FID Body Politics Movement Choirs LIGNA Conferences Seminars Workshops NFDI4C Office Consulting Contact Dance Archive Leipzig GDR Petermann Laban Wigman Palucca Weidt Rudolstadt Moscow Folk Dance Dance Ensembles Documentation VDT Collections Research Reading Room Böhme Gertz Loesch History Association Publications AG ARCHIVE Projects Research Catalogues Kalliope Visit Lehmen Scholz Pauls Kinetography Posters Records Photos Films Masks
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