The century of the dance (2019) With this exhibition from 24 August to 21 September 2019 under the motto “Was der Körper erinnert. Zur Aktualität des Tanzerbes” (English: What the body remembers – The relevance of the dance heritage), an attempt was made at the Academy of Arts in Berlin to build a bridge between the tradition of modern dance in Germany, which already spans more than a hundred years, and contemporary dance practice on the basis of selected collections from the dance archives. A showcase on the Tanzarchiv As part of a seminar by Dr Melanie Gruß on the
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B_tours Leipzig — Movement in Urban Space (2.7.–12.07.2015) play! LEIPZIG. Bewegung im Stadtraum / Movement in Urban Space. International Performance Festival & Conference in Leipzig (24.-27.06.2010)
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Tanzarchiv Leipzig e.V. staff and members are available to advise on artistic projects, from initial ideas for dealing with the cultural heritage of dance to concrete enquiries about more complex research and possible academic advice and dramaturgical support for dance productions. Please send your enquiries about such offers up to project-related cooperations by e-mail to the following address: info@tanzarchiv-leipzig.de. Below you will find some exemplary projects from recent years in which individual members of the Tanzarchiv Leipzig e.V. were more or less directly involved or which were created in cooperation with TAL e.V.. Tanz Digital (2021) Evaluation of the Alliance
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The dance teacher, kinetographer and foster daughter of the German art historian and folklorist Wilhelm Fraengler studied Rudolf von Laban’s dance script with Albrecht Knust at the Folkwangschule in Essen in 1957 and produced many kinetographs, also of folk dances. She worked as a dance teacher and teacher of dance script in Berlin until 1964. Afterwards, together with Fraenger’s widow, she dedicated herself to organising Fraenger’s estate and became the editor of the large Fraenger monographs on Jörg Rathgeb, Hieronymus Bosch and Matthias Grünewald. Her estate includes personal documents, her correspondence, her kinetographic work, magnetic tapes, microfilms, records, slides and
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One of Mary Wigman’s most famous students was Gret Palucca, who soon achieved a similar level of fame as a solo dancer and also established her own school in Dresden in 1925. After the Second World War, she was able to re-found and expand her school and educate generations of dancers – despite constant conflicts with cultural functionaries of the GDR – not only physically but also spiritually and artistically to creativity and independence. As a founding member of the Academy of Arts of the GDR, she was its vice-president from 1965-1970, which is why Palucca’s actual estate is in
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Among Laban’s students was the German dancer and dance teacher Jenny Gertz (1891-1966), who became known mainly for her dance work with children. Gertz’s communist commitment led to the closure of her school in Halle/Saale by the Gestapo during National Socialism. She emigrated to Prague and later to England, where she continued teaching children’s dance. After the end of the Second World War, Gertz returned to Halle/Saale, where her pedagogical principles and methods were hardly recognised. Her estate at the Tanzarchiv Leipzig contains letters, manuscripts and teaching materials as well as photographs and short films. Research
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One of the most important holdings of the Tanzarchiv Leipzig is the estate of the dancer, choreographer and dance theorist Rudolf von Laban. With his “School for Art” on Monte Verità near Ascona, he developed ideas for a new movement pedagogy and a movement script from 1911 to 1917, which he further perfected at the end of the 1920s (Kinetography or Labanotation). Due to his artistic, theoretical and pedagogical impulses, he is considered a pioneer and co-founder of modern dance in Germany, where he also had a significant influence on amateur dance through movement choruses. In the 1930s, Laban also
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Overview of the collections In addition to a wide range of books and periodicals, the collections include numerous photographs, films, videotapes, DVDs, and sound recordings, as well as a large collection of programmes and posters and individual estates and bequests containing a wide variety of documents and media. The internationally prominent personal collections include: the estate of the dance revolutionary Rudolf von Laban (until his exile in 1938); partial collections on Mary Wigman and Gret Palucca; photos, documents, and masks of the “red” dancer and choreographer Jean Weidt; the estates of the dance teachers Jenny Gertz and Ilse Loesch; and
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Dance Archive Leipzig GDR Petermann Laban Wigman Palucca Weidt Rudolstadt Moscow Folk Dance Dance Ensembles Documentation VDT Collections Research Reading Room Böhme Gertz Loesch History Association Publications AG ARCHIVE Projects Research Catalogues Kalliope Visit Lehmen Scholz Pauls Kinetography Posters Records Photos Films Masks Programs FID Body Politics Movement Choirs LIGNA Conferences Seminars Workshops NFDI4C Office Consulting Contact Dance Archive Leipzig GDR Petermann Laban Wigman Palucca Weidt Rudolstadt Moscow Folk Dance Dance Ensembles Documentation VDT Collections Research Reading Room Böhme Gertz Loesch History Association Publications AG ARCHIVE Projects Research Catalogues Kalliope Visit Lehmen Scholz Pauls Kinetography Posters Records Photos Films Masks
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