#: locale=hu

## Action

### URL
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WebFrame_C22BC002_D0B3_3199_41D3_5BDB40734212.url = https://www.virtualexhib.org/gltf/HorseHead

## Hotspot

### Tooltip
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HotspotPanoramaOverlayArea_A103FB60_CB54_38C4_41C8_BA0C382F3AAC.toolTip = Axt
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HotspotPanoramaOverlayArea_85D8D10C_CB54_085C_41E3_BE604B0BC5C4.toolTip = Gürtelschnalle
HotspotPanoramaOverlayArea_31C6F934_22E5_33F3_41AC_90F13A32E5A4.toolTip = Halskette
HotspotPanoramaOverlayArea_B992E504_CB4C_084C_41A1_78B8F9785A19.toolTip = Kamm
HotspotPanoramaOverlayArea_F6F3AFAC_CBD4_185C_41C8_69CB253801AB.toolTip = Keramikbecher
HotspotPanoramaOverlayArea_2674DDF1_3BDC_5C3E_4188_B3B823371073.toolTip = Kettenanhänger
HotspotPanoramaOverlayArea_16C7C5C4_3C40_A712_41BB_C2A2ECEA848E.toolTip = Messer
HotspotPanoramaOverlayArea_F23AE047_CBD4_08CD_41BC_921011458911.toolTip = Messer
HotspotPanoramaOverlayArea_25074DE7_3BDF_BC22_41C7_A4C78FA3EEE0.toolTip = Ovale Fibel
HotspotPanoramaOverlayArea_25FB72E5_3BDC_4426_41C5_A986D616C9C4.toolTip = Ovale Fibel
HotspotPanoramaOverlayArea_804A1161_CB54_08C5_41DF_0DC378A32952.toolTip = Perlen
HotspotPanoramaOverlayArea_84ABC693_CB5C_0845_41E3_9E16A735BF79.toolTip = Pfeilspitzen
HotspotPanoramaOverlayArea_2C129FC8_3BC4_5C6F_41C2_C72864562A1B.toolTip = Ringfibel
HotspotPanoramaOverlayArea_A63A4133_CB4C_0844_41BF_2B78D1F5854A.toolTip = Schildbuckel
HotspotPanoramaOverlayArea_A3AD03FD_CB54_0FBC_41DC_B58956EF1692.toolTip = Schwert
HotspotPanoramaOverlayArea_2C4280AB_3BC4_4422_41CA_4D2B767B29EF.toolTip = Schwert mit Griff 
HotspotPanoramaOverlayArea_2D474381_3BC5_C4E1_41AE_83741219140B.toolTip = Schwert ohne Griff
HotspotPanoramaOverlayArea_240C9AFB_3BDD_C421_41BE_C750F2FC0DF9.toolTip = Sichel
HotspotPanoramaOverlayArea_A1CCE732_CCB4_0844_41E8_CD6F3A3705B3.toolTip = Speerspitze
HotspotPanoramaOverlayArea_AD93CA9A_CB5C_1844_41B1_46C8387145A9.toolTip = Spielfiguren und Würfel aus Walrossknochen
HotspotPanoramaOverlayArea_A1F2CFC4_CB4C_37CC_41A0_284CAE8B7DD8.toolTip = Steigbügel
HotspotPanoramaOverlayArea_9B8F611A_CB54_0844_4199_24A8A436AEB8.toolTip = Steigbügel
HotspotPanoramaOverlayArea_9940F689_CB54_0844_41E0_237DDBAB903D.toolTip = Steigbügel
HotspotPanoramaOverlayArea_9D8C3788_CB4C_0844_41DB_3DFA1993FA92.toolTip = Säbel mit Scheide
HotspotPanoramaOverlayArea_9B57910C_CB5C_085C_41C8_40473B83A924.toolTip = Trense/Knebel und Riemenbeschlägedes Pferdegeschirrs

## Media

### Description
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photo_EA3FA181_C76E_F8EF_41CA_26AF53B5F1A3.description = Grafik_Bt2_Panorama Traisental
photo_EB551A4D_C76E_A876_41E8_AE2B5615C2C4.description = Grafik_Bt2_Ratzersdorf+Drohne+Gräberfeldbereich
photo_EB551A4D_C76E_A876_41E8_AE2B5615C2C4.description = Grafik_Bt2_Ratzersdorf+Drohne+Gräberfeldbereich
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album_044E355E_C926_F812_41DF_9563ED2FC98C_2.description = GyN.2008.14_
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photo_2201FF32_3C72_E1F3_41C5_17DACC3B1EEE.description = KM 17777_2
photo_78A40ECC_771A_A45D_41DA_0F181CFE92FF.description = KM 17777_2 detail
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album_D3135659_C991_A0CA_41D0_CFBD9EA21E82_2.description = Lageplan_Die Gräberfelder in und an der Burg
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photo_2DF5A8FC_36C0_71E3_41C5_4F84E5E9C58C.description = Modul3_grave_colored_cropped
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photo_6DE02712_3CDC_4DE3_41CD_7480160D0C94.description = Vulture_-_Sky_burial
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### Floorplan

### Image
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### Popup Image

### Subtitle
album_AA05AA8E_C7E7_A8F2_41DF_4221164C62CD.subtitle = Photo Album Dú_G2_24241_Tonlampe
album_D52AB3D6_CA10_BA5B_41DD_1B39016AEA47.subtitle = Photo Album E.2.2.1
album_9805B9C8_C725_A87E_41B9_2D9F6DC98181.subtitle = Photo Album Funde_Bt3_G02F0034_Ohrring
album_9C18E59A_C726_B81D_41D4_488761CC9538.subtitle = Photo Album Grafik_Bt3_Grab 1_1
album_0A936C74_3CC4_BC27_41BF_554742AC2DF4.subtitle = Photo Album Mumie Theben_BM
album_5C6518DC_C765_E815_41D2_12A04434A794.subtitle = Photo Album Sindelsdorf_Grab32_objects
album_07DF513D_C71D_D816_41E8_C8E10738FD09.subtitle = Photo Album Sirrajz_Mann-Waffe_Colored_cropped

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photo_78A3A42E_771D_5BDD_41B0_827E3C6238FA.label = 7
photo_22CB4428_3C75_E79F_41C5_D8BBF5ACAF4F.label = 7
photo_2201FF32_3C72_E1F3_41C5_17DACC3B1EEE.label = 8
photo_2201FF32_3C72_E1F3_41C5_17DACC3B1EEE.label = 8
photo_78A40ECC_771A_A45D_41DA_0F181CFE92FF.label = 9
photo_78A40ECC_771A_A45D_41DA_0F181CFE92FF.label = 9
video_B87E8F05_9B9D_CBB5_41D3_4B74AFBF3691.label = GauselQueen_eng
map_CE5D8638_8EC1_9E65_41CA_DA609E7E2FD9.label = map

### Video
videolevel_F05A4151_C483_40D5_41E5_620920B317FC.url = media/video_B87E8F05_9B9D_CBB5_41D3_4B74AFBF3691_hu.mp4
videolevel_F05A4151_C483_40D5_41E5_620920B317FC.posterURL = media/video_B87E8F05_9B9D_CBB5_41D3_4B74AFBF3691_poster_hu.jpg

## Skin

### Button
Button_571609CA_2325_5296_41C0_692DA6AB6D2C.label = ×
Button_6AB396E8_3CC5_CC2F_41B5_8F7DAC39CECB.label = ×
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Button_D6AFB0C6_C991_A1C6_41B9_C6ADE785533D.label = ×

### Image
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HTMLText_829D7498_B31E_2582_41D3_C15AF90E849D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:32px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:32px;font-family:'Microsoft JhengHei UI Light';">Gästebuch</SPAN></SPAN></DIV></div>
HTMLText_808B95B1_B31E_E782_41D8_2C035DD2C20A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:24px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:24px;font-family:'Microsoft JhengHei UI';">Zum Nachlesen… </SPAN></SPAN></DIV></div>
HTMLText_EAE126E9_CAFA_8EE4_41E2_06A93187B3DF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:14px;font-family:'Corbel';">Betreten Sie den virtuellen Raum </SPAN></SPAN></DIV></div>
HTMLText_ED1447A9_CBBC_0844_41E8_354D6F83C7FD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:14px;font-family:'Corbel';">… und sehen Sie, wie Grabende Gräber verstehen! </SPAN></SPAN></DIV></div>
HTMLText_EE73C9DA_89C3_9324_41E0_BE30A0F7A751.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Funde aus dem Grab des königlichen Beamten Meketre (ca. 1981–1975 v. Chr.), Ägypten: Modelle eines Getreidespeichers und eines Bootes als Beigaben für die Reise ins Jenseits. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:15.999999999999998px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© The Metropolitan Museum,</SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.metmuseum.org/art/collection/search/545281?ft=Meketre&amp;amp;offset=0&amp;amp;rpp=40&amp;amp;pos=1" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I> CC0 1.0</I></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> </SPAN></SPAN></DIV></div>
HTMLText_6EE50F03_3CC5_DDE1_41AA_C40E4DBADF94.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><B>Kuratorin</B></SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Orsolya Heinrich-Tamáska</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><B>Beirätinnen</B></SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Hannah Gilb, Dilan Hensel, Rennée Hämmerling, Kristin Opitz und Inga Utkina</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><B>Grafik und technische Umsetzung</B></SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Gábor Nagy</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><B>Planung und Texte</B></SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Hannah Gilb, Orsolya Heinrich-Tamáska, Dilan Hensel, Antje Junge, Rennée Hämmerling, Kristin Opitz und Inga Utkina</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Diese Ausstellung wurde im Rahmen einer Online-Lehrveranstaltung an der Freien Universität zu Berlin und der Universität Leipzig während des Wintersemesters 2021/22 und des Sommersemesters 2022 unter der Leitung von PD Dr. Orsolya Heinrich-Tamáska und unter Mitwirkung der Kursteilnehmerinnen konzipiert. </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Die technische Umsetzung wurde durch die Unterstützung des Leibniz-Instituts für Geschichte und Kultur des östlichen Europa (GWZO) e. V. in Leipzig ermöglicht. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Wir danken folgende Institutionen und deren Mitarbeiter*innen für die Unterstützung unserer Ausstellung mit der Bereitstellung von Bildern:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Antikenmuseum der Universität Leipzig (DE)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Bajuwarenhof Kirchheim und Darstellergruppe </SPAN><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Times New Roman', Times, serif;">„</SPAN><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Nors Farandi</SPAN><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Times New Roman', Times, serif;">”</SPAN><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"> (DE)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Balatoni Museum, Keszthely (HU)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Dänisches Nationalmuseum, Kopenhagen (DK)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Déri Museum, Debrecen (HU)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Gäubodenmuseum Straubing (DE)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Finnish Heritage Agency (Museovirasto) (FI)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	LVR-LandesMuseums Bonn (DE)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Katona Jószef Museum, Kecskemét (HU)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Landesmuseum Württemberg (DE)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Landesamt für Denkmalpflege und Archäologie Sachsen-Anhalt (DE)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Österreichisches Archäologisches Institut (AT)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Friedrich-Schiller-Universität Jena, Lehrstuhl für Ur- und Frühgeschichtliche Archäologie, Sammlung UFG (DE)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Städtische Museen Esslingen (DE)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Stadtmuseum St. Pölten (AT)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Staatliches Historisches Museum, Stockholm (SE)</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Szent István Múzeum, Székesfehérvár (HU)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><B>Unser Dank gilt außerdem folgenden Personen:</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">M. Becker, R. L. Børsheim., T. Cetinkaya, H. Geisler, P. Langó, C. Lehman, R. Müller, G. Lőrinczy, U. Moilanen, N. Radosavljević, Zs. Réti, M. Schultz, A. Türk</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Den Institutionen und Personen, die ihre Bilder den Nutzern für nicht kommerzielle Zwecke zur Verfügung stellen, möchten wir auch einen Dank aussprechen. </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Die in der Ausstellung gezeigten, online verfügbaren Bilder sind jeweils direkt verlinkt. Die einzelnen Lizenzangaben stehen ebenso in den einzelnen Bildunterschriften. Die Verlinkung zu den jeweiligen Lizenzvereinbarungen finden Sie in der folgenden Liste. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Via Online-Sammlungen, -Katalogen und Web-Auftritten: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	The Trustees of the British Museum, London; Archäologisches Landesamt Schleswig-Holstein – </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://creativecommons.org/licenses/by-nc-sa/4.0/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>CC BY-NC-SA 4.0 </I></SPAN></A></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Science Museum, London – </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://creativecommons.org/licenses/by/4.0/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>CC BY 4.0  </I></SPAN></A></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Landesmuseum Württemberg, Stuttgart; York Museums and Gallery Trust 2022; Dänisches Nationalmuseum, Kopenhagen – </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://creativecommons.org/licenses/by-sa/4.0/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>CC-BY-SA 4.0 </I></SPAN></A></SPAN><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Via sketchfab.com: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Global Digital Heritage – </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://creativecommons.org/licenses/by-nc/4.0/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>CC BY-NC 4.0 </I></SPAN></A></SPAN><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"> </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	 Historiska /Staatliches Historisches Museum, Stockholm – </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://creativecommons.org/licenses/by/4.0/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>CC BY 4.0</I></SPAN></A></SPAN><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">  und </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://creativecommons.org/licenses/by-sa/4.0/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>CC BY-SA 4.0 </I></SPAN></A></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Via flickr.com: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Henry Mühlpfordt; Dan Diffendale – </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://creativecommons.org/licenses/by-sa/2.0/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>CC BY-SA 2.0 </I></SPAN></A></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Via Wikimedia Commons: </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Bundesarchiv, Holger.Ellgaard, Anette Bähren und Jnn95 – </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://creativecommons.org/licenses/by-sa/3.0/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>CC BY-SA 3.0 </I></SPAN></A></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">•	Niedersächsisches Landesmuseum, Hannover – </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://creativecommons.org/licenses/by/3.0/deed.de" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>CC BY 3.0 </I></SPAN></A></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Verwendete Bilder aus der Online-Sammlung des The Metropolitan Museum, New York City, der Ludwig-Maximilian-Universität München, des Fotografs Pavel Danilyuk (via pexels.com) und ausgewählte Werke der Wikimedia Commons sind gemeinfrei – </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://creativecommons.org/publicdomain/zero/1.0/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>CC0 1.0 </I></SPAN></A></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C334557D_8E40_72DF_41E1_865A1EB648B6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';"> © Pavel Danilyuk (</SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.pexels.com/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';">www.pexels.com</SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">)</SPAN></SPAN></DIV></div>
HTMLText_F2BA147F_8E41_B2DB_41CC_03E8DBAB44BB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">3D-Modell von Birka mit der prominente Lage des Gräberfeldes (Nr. 2), in dem das Grab Bj 581 gefunden wurde. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">©</SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I> </I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">Staatliches Historisches Museum, Stockholm, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://sketchfab.com/3d-models/birka-319e4e33632949e09e65112bc523cb67" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY-SA 4.0 </I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_D85EC17E_8FC1_B2DD_41CF_C21B16EC324F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>Intercisa</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> (heute Dunaújváros, Ungarn): Öllampe aus Ton, vermutlich aus dem römischen Kastell, 2.–3. Jh. n. Chr. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Sammlung UFG Jena, Foto: I. Przemuß</SPAN></SPAN></DIV></div>
HTMLText_BEF39AC6_9DF6_7BA5_41D4_8F6E7F8BFA80.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Amazone zu Pferde, Skulptur von Franz von Struck (1873–1928). </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Niedersächsisches Landesmuseum, Hannover, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.m.wikipedia.org/wiki/Datei:Franz_v_Struck_Amazone_Pferd.JPG" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY 3.0</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_880F4375_BCDB_1A6A_41A6_C2DF68BBC00C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Bad Cannstatt (Baden-Württemberg), Gräber 1 und 2: Goldfunde aus den beiden Bestattungen, 6. Jh. v. Chr. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Landesmuseum Württemberg, Stuttgart, Foto: Hendrik Zwietasch</SPAN></SPAN></DIV></div>
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HTMLText_F8095DF9_8E40_8DE7_417B_88582F409643.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Birka, Grab Bj 581: Die handschriftliche Skizze von Hjalmar Stolpe und die Zeichnung von Evald Hansen in der Publikation von Hjalmar Stolpe „Ett och annat på Björkö“. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Ny Illustrarad Tidning 25, 1889</SPAN></SPAN></DIV></div>
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HTMLText_11CAC499_77BF_AD5E_4198_0C5F4C8C9A2B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Birka, Grab Bj 581: Steigbügelpaar aus Eisen. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Staatliches Historisches Museum, Stockholm </SPAN></SPAN></DIV></div>
HTMLText_112D3A89_7787_A53F_41D1_63C7B57AAA15.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Birka, Grab Bj 581: Zweischneidiges Schwert. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Staatliches Historisches Museum, Stockholm </SPAN></SPAN></DIV></div>
HTMLText_D1C564B7_8E40_F26B_41D1_786A624E6A20.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Certomlyk (Ukraine), Bestattung 2 im Grabhügel 9: eine Pfeilspitze hinter dem Kiefer hat wohl den Tod der Frau verursacht, Ende 5.–4. Jh. v. Chr. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Michael Schultz, Göttingen</SPAN></SPAN></DIV></div>
HTMLText_D1C5C4B9_8E40_F267_41E0_B6C0E3F2E25A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Certomlyk (Ukraine): Nahaufnahme einer bronzenen Pfeilspitze im Lendenwirbel einer „Amazone“, Ende 5.–4. Jh. v. Chr. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Michael Schultz, Göttingen</SPAN></SPAN></DIV></div>
HTMLText_915C6BF2_B78D_353C_41D2_A73CE4131F77.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Darsteller*innen im Bajuwarenhof Kirchheim (Bayern) mit rekonstruierter Kleidung und Schmuck nach Funden des 6. Jhs. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Bajuwarenhof Kirchheim, Darstellergruppe </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="www.norsfarandi.de" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';">„</SPAN><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>Nors Farandi"</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_05911E46_04B4_2FBF_4158_2C3B53F8365D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Darstellung der Figur der Hester Prynne aus dem Roman „Der scharlachrote Buchstabe” von 1850. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Public Domain, Bild: Mary Hallock Foote (1847–1938)</SPAN></SPAN></DIV></div>
HTMLText_05825A5C_0494_344C_4193_514C05D4885A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Darstellung der Schicksalsgöttinen (16. Jh.): Klotho spinnt den Lebensfaden, der von Lachesis bemessen und von Atropos durchschnitten wird. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Metropolitan Museum of Art, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.metmuseum.org/art/collection/search/367537" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CCo 1.0</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_832DA669_BCD9_1A7A_41C9_4E105AFDB080.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das 3D-Modell einer römischen Statue (Museo del Tempietto di Sestino, Italien): Knabe in Toga und mit Bulla am Hals, 30 v. Chr.–37 n. Chr. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Global Digital Heritage, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://sketchfab.com/3d-models/statue-of-a-boy-with-pendant-90262b4f5de748cbab119f318b1aeace" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY-NC 4.0</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_06149758_07BC_3C53_4192_D7695769106D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das Grab Bj 581 von Birka nach Stolpe in der Publikation von Arbman. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Arbman 1943, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://archive.org/details/BirkaIText" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC0 1.0</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_AA1D7A13_05FC_37D5_4192_8A47A21A1484.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das Gräberfeld von Ratzersdorf vor der Ausgrabung aus der Luft. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Stadtmuseum St. Pölten, ARDIG, G. Artner</SPAN></SPAN></DIV></div>
HTMLText_1F591D13_778E_BF53_41CC_04C12FD30187.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das Gräberfeld von Ratzersdorf vor der Ausgrabung aus der Luft. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Stadtmuseum St. Pölten, Foto: ARDIG, G. Artner</SPAN></SPAN></DIV></div>
HTMLText_18B79ED4_7485_9AD6_41CF_AE7F6C89EE90.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das Traisental nahe Ratzersdorf mit Blick Richtung Donau im Norden. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Kristin Opitz</SPAN></SPAN></DIV></div>
HTMLText_0619EABB_07B4_14D5_418C_97C8DD6B77A7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das „Fürstengrab“ von Gommern (Sachsen-Anhalt), 2. H. 3. Jh.: Künstlerische Rekonstruktion der Grabkammer. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© LDA Sachsen-Anhalt, Grafik: Karol Schauer</SPAN></SPAN></DIV></div>
HTMLText_0619EABC_07B4_14D3_4192_F63473B640A7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das „Fürstengrab“ von Gommern (Sachsen-Anhalt), 2. H. 3. Jh.: Rekonstruktion des Schildes. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© LDA Sachsen-Anhalt, Foto: Juraj Lipták</SPAN></SPAN></DIV></div>
HTMLText_0619EABC_07B4_14D3_4182_9A80F4430D30.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das „Fürstengrab“ von Gommern (Sachsen-Anhalt), 2. H. 3. Jh.: Spielsteine und Spielbrettbeschläge. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© LDA Sachsen-Anhalt, Foto: Juraj Lipták</SPAN></SPAN></DIV></div>
HTMLText_D7F04337_BB9F_D309_41D9_40985A143ECD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Deisslingen (Baden-Württemberg): Funde aus einem alamannischen Frauengrab des 6. Jhs. mit zwei Fibelpaaren wie in Straubing-Bajuwarenstraße, Grab 266. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Landesmuseum Württemberg, Foto: H. Zwietasch, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.landesmuseum-stuttgart.de/sammlung/sammlung-online/dk-details?dk_object_id=711" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY 4.0</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_B304CE4B_9D92_7AA3_41DF_3AA2D7858BDA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Der Gräberfeldplan von Gyenesdiás. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Róbert Müller</SPAN></SPAN></DIV></div>
HTMLText_3F5461E5_9113_0A07_41B9_05B711D08F79.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Desborough (North Northamptonshir, England): Goldenes Kollier mit mehreren runden Bullen, Cabochon-Anhänger und einem Kreuz in der Mitte, 7. Jh. n. Chr.</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© The Trustees of the British Museum, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.britishmuseum.org/collection/object/H_1876-0504-1" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY-NC-SA 4.0 </I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_B3043E49_9D92_7AAF_41B8_625FFCFE1D17.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die Ausdehnung des awarischen Khaganats im 7. Jh. n. Chr. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Orsolya Heinrich-Tamáska</SPAN></SPAN></DIV></div>
HTMLText_062D222F_07EC_17CD_4181_822DCC19A6FF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die Rekonstruktion der Kammer des „Fürstengrabes“ von Hochdorf (530/520 v. Chr.) im Keltenmuseum Hochdorf (Baden-Württemberg). </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Jnn95 auf Wikipedia, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Fürstengrab#/media/Datei:Hochdorf_keltenmuseum0815.jpg" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY-SA 3.0</I></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> </SPAN></SPAN></DIV></div>
HTMLText_BF8DBC78_9E89_FFBF_41E1_E52909D488B7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die aufwendigen Frisuren römischer Kaiserinnen galten als trendy: Abguss eines Portraits der Iulia Domna († 217). </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Antikenmuseum der Universität Leipzig, Fotografin: Marion Wenzel</SPAN></SPAN></DIV></div>
HTMLText_23750582_23E7_3297_41B2_A444DE90D06A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Egtved (Dänemark) Bestattung eines Mädchens im Baumsarg: Durch gute organische Erhaltung sind die Kleidung und ein Birkengefäß (mit Bier gefüllt?) erhalten, um 1370 v. Chr.</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Dänisches Nationalmuseum, Kopenhagen, Roberto Fortuna und Kira Ursem, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Mädchen_von_Egtved#/media/Datei:Kvindegrav_fra_Egtved.jpg" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC-BY-SA 3.0</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_880FB376_BCDB_1A56_41D0_B87B2FCC5B1B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Esslingen-Sirnau (Baden-Württemberg), Grab 1: Goldschmuck – zwei Armstulpen und 18 Ohrringe – einer wohl 20 jährigen Frau aus einer späthallstattzeitlichen Bestattung, 6.–5. Jh. v. Chr.</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">©  Städtische Museen Esslingen, Daniela Wolf</SPAN></SPAN></DIV></div>
HTMLText_061E232D_07AC_15CD_4194_D2C33DA69E61.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Foto: </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.pexels.com/de-de/foto/schwarz-und-weiss-gehen-blumen-manner-7317944/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>Pavel Danilyuk</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_D8C4F345_9E76_EAA7_41CD_F09F5AB96FB5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Griechische Amphore: Kampf zwischen Achilles und der Amazone Penthesilea, um 535 v. Chr. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© The Trustees of the British Museum, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.britishmuseum.org/collection/object/G_1849-0518-10" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY-NC-SA 4.0</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_D174A491_8E40_9227_4184_66E10F51F0C5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Gyenesdiás, Grab 64: Byzantinische Goldmünze, sog. Solidus.</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Balatoni Múzeum, Keszthely, Foto: József Bicskei</SPAN></SPAN></DIV></div>
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HTMLText_77EC6986_0474_34BF_4189_76B3FBC874C2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Hailfingen (Baden-Württemberg): Alamannisches Männergrab mit Spatha, Wurfaxt, Lanze und Schild, Waage und Trinkgläsern mit Fadenauflagen, frühes 6. Jh. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Landesmuseum Württemberg, Foto: H. Zwietasch, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.landesmuseum-stuttgart.de/sammlung/sammlung-online/dk-details?dk_object_id=712 " STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY 4.0</I></SPAN></A></SPAN></SPAN></DIV></div>
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HTMLText_204D0945_9113_1A07_41DD_CE59C1730AF3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Hirschlanden (Baden-Württemberg): Großskulptur eines Kriegers aus der späten Hallstattkultur mit Hut, Halsreif und Dolch, am Fuß eines Grabhügels entdeckt, 6.–5. Jh. v. Chr. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Landesmuseum Württemberg, Stuttgart, Foto: P. Frankenstein; H. Zwietasch, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.landesmuseum-stuttgart.de/sammlung/sammlung-online/dk-details?dk_object_id=384" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY 4.0</I></SPAN></A></SPAN></SPAN></DIV></div>
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HTMLText_880C3372_BCDB_1A6E_41C1_B86C0774AF7D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Hochdorf (Baden-Württemberg), persönliche Gegenstände aus dem „Fürstengrab“ (530/520 v. Chr.): Goldener Hals- und Armreif, Fibelpaar, mit Goldblech bedeckte Schuhe, Gürtel und Dolch und ein kegelförmiger Hut aus Birkenrinde. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Landesmuseum Württemberg, Stuttgart, Foto: P. Frankenstein, H. Zwietasch, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.landesmuseum-stuttgart.de/sammlung/sammlung-online/dk-details?dk_object_id=810" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY 4.0</I></SPAN></A></SPAN></SPAN></DIV></div>
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HTMLText_4F8E8084_04F4_19EB_4182_6CF38E97A79C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Igar, Fund III (Ungarn):  Zopfspangenpaar, vergoldet, 7. Jh. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Szent István Múzeum, Székesfehérvár</SPAN></SPAN></DIV></div>
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HTMLText_55E1C2C1_04F4_196D_417D_E7C33B4E1554.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Igar, Fund III (Ungarn): Säbel mit Goldbeschlägen, 7. Jh. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Szent István Múzeum, Székesfehérvár</SPAN></SPAN></DIV></div>
HTMLText_05911E4C_04B4_2FB3_4195_88A3F8583CE5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ihr Halsschmuck bestand besonders aus grünen Glas- und Bronzeperlen, die über bronzene Glieder miteinander verbunden waren</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';"> © Stadtmuseum St. Pölten,  Gudrun Bajc.</SPAN></SPAN></DIV></div>
HTMLText_FFA5D403_0474_F3B5_416E_F345DF37E640.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ihr Halsschmuck bestand besonders aus grünen Glas- und Bronzeperlen, die über bronzene Glieder miteinander verbunden waren</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';"> © Stadtmuseum St. Pölten,  Gudrun Bajc.</SPAN></SPAN></DIV></div>
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HTMLText_CFC1C0C1_8E47_9227_41C8_95E507C5935F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Illustration aus „</SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.sidestone.com/books/gender-stereotypes-in-archaeology" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Gender stereotypes in archaeology</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">“ von Nikola Radosavljević</SPAN></SPAN></DIV></div>
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HTMLText_C30FB584_8E40_722D_41DC_F1117C2F4728.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">In versteckter Grabkammer von Meketre (ca. 1981–1975 v. Chr.), einem königlichen Verwalter, wurden mehrere Modelle entdeckt - darunter ein Getreidespeicher und ein Boot. Solche Modelle sollten vermutlich dem Verstorbenen ein seinem Status entsprechendes Leben nach dem Tod ermöglichen. Das Bootsmodell wiedergibt seine Reise - im Schatten einer Kabine sitzend und eine Lotusblume haltend - ins Jenseits. Vergleichbare Boote tauchen auf der Darstellung der "Wallfahrt nach Abydos" (dem Kultort des Totengottes Osiris) auf, die seit dem Mittleren Reich ein Teil des ägyptischen Bestattungsrituals war. Der Lotus in Mekerte´s Hand ist als Symbol der Wiedergeburt zu deuten. (Bildquelle: The MET Museum, CC0 1.0)</SPAN></SPAN></DIV></div>
HTMLText_C3086582_8E40_7225_419A_B125F6C3CB28.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">In versteckter Grabkammer von Meketre (ca. 1981–1975 v. Chr.), einem königlichen Verwalter, wurden mehrere Modelle entdeckt - darunter ein Getreidespeicher und ein Boot. Solche Modelle sollten vermutlich dem Verstorbenen ein seinem Status entsprechendes Leben nach dem Tod ermöglichen. Das Bootsmodell wiedergibt seine Reise - im Schatten einer Kabine sitzend und eine Lotusblume haltend - ins Jenseits. Vergleichbare Boote tauchen auf der Darstellung der "Wallfahrt nach Abydos" (dem Kultort des Totengottes Osiris) auf, die seit dem Mittleren Reich ein Teil des ägyptischen Bestattungsrituals war. Der Lotus in Mekerte´s Hand ist als Symbol der Wiedergeburt zu deuten. (Bildquelle: The MET Museum, CC0 1.0)</SPAN></SPAN></DIV></div>
HTMLText_062E9CF6_07EC_2C5C_4190_E5FD82F6D738.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Jericho, übermodellierter Schädel, 8200–7500 v. Chr. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© The Trustees of the British Museum, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.britishmuseum.org/collection/object/W_1954-0215-1" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY-NC-SA 4.0 </I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_9AF8BF9A_05AC_2CD4_418F_877D8C3442A4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Keszhely-Fenékpuszta, Horreum (Ungarn), Grab 9: Rekonstruktion einer jungen Frau, die ein mit Goldröhrchen geschmücktes Haarnetz, eine Nadel, Ohr-, Arm- und Fingerringe, sowie eine Fibel und Ketten trägt. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Balatoni Múzeum, Keszthely </SPAN></SPAN></DIV></div>
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HTMLText_EB93DBAE_8E40_967D_41B1_5E66382F95E6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Kunbábony (Ungarn), Grab 1 (7. Jh. n. Chr): Die Gesichtsrekonstruktion des „Khagans“. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Katona József Múzeum, Kecskemét, Rekonstruktion: Gyula Skultéti</SPAN></SPAN></DIV></div>
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HTMLText_EB920BB0_8E40_9665_41A3_C8BF28FE537F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Kölked-Feketakapu (Ungarn), Grab 108 (7. Jh. n. Chr.): Rekonstruktion der Bekleidung und Gesichtszüge der hier bestatteten Frau. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Zeichnung: Zoltán Boldog im Auftrag von Tivadar Vida, Budapest</SPAN></SPAN></DIV></div>
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HTMLText_C3081581_8E40_7227_41D6_6AA762D3FB96.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Leipzig-Plagwitz, der Parkfriedhof heute: mit verschiedenen Gegenständen geschmückte Gräber als Orte der Erinnerung an die Toten.</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Inga Utkina</SPAN></SPAN></DIV></div>
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HTMLText_9D84C6DD_BDFB_1A5A_41DE_335C29D229C1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Nusplingen (Baden-Württemberg): Kette mit Bernsteinperlen aus einem Frauengrab, 6. Jh. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Landesmuseum Württemberg, Stuttgart, Foto: H. Zwietasch,</SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.landesmuseum-stuttgart.de/sammlung/sammlung-online/dk-details?dk_object_id=957" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I> CC BY 4.0</I></SPAN></A></SPAN></SPAN></DIV></div>
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HTMLText_06149758_07BC_3C53_418E_4E3BDD2BBE42.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Plan der Gräberfelder von Birka neben der Festung in der Publikation von Arbman. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Arbman 1943, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="ttps://archive.org/details/BirkaIText" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC0 1.0</I></SPAN></A></SPAN></SPAN></DIV></div>
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HTMLText_DC324764_8FC0_9EED_41A6_46117D30E809.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ratzersdorf, Grab 1: Messer, gefunden neben dem linken Oberschenkel. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Stadtmuseum St. Pölten, Foto: Gudrun Bajc</SPAN></SPAN></DIV></div>
HTMLText_DDF785C6_8FC1_B22D_41C8_85A15D5422F0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ratzersdorf, Grab 1: Ohrring. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Stadtmuseum St. Pölten, Foto: Gudrun Bajc</SPAN></SPAN></DIV></div>
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HTMLText_DB8C2C0F_8FC0_B23B_41B3_E7E67883462C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ratzersdorf: In den Gräbern der älteren Ratzersdorferinnen fanden sich zumeist nur ein bis zwei oder gar keine Beigaben, wie in diesem Grab einer 40–60 Jahre alten Frau. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Stadtmuseum St. Pölten, Foto: ARDIG </SPAN></SPAN></DIV></div>
HTMLText_05822E39_0494_6FD5_4172_65BF2D7ACFD0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ratzersdorf: Spinnwirtel aus dem Grab einer erwachsenen Frau, 3.–5. Jh. n. Chr.</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Stadtmuseum St. Pölten, Foto: Gudrun Bajc </SPAN></SPAN></DIV></div>
HTMLText_915B8BF0_B78D_353C_41C2_301A6226C6AF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ravenna (Italien) die Kirche San Vitale: Darstellung von Kaiser Justinian I. mit Bischof Maximianus und seinem Hof auf einem Wandmosaik. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.m.wikipedia.org/wiki/Datei:Meister_von_San_Vitale_in_Ravenna_003.jpg" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>Wikimedia Commons</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_69911C54_76DB_6EBB_41C9_0F9A9416DFD3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Rekonstruktion der rituellen Waschung eines Leichnams. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Claudia Lehman</SPAN></SPAN></DIV></div>
HTMLText_D7F39338_BB9F_D307_41D2_6F6593AB26F6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Rekonstruktionsvorschlag eines Kriegers des 6. Jhs. auf Grundlage von alamannisch-baiuvarischen Grabbeigaben. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Nach Thomas Fischer 1988</SPAN></SPAN></DIV></div>
HTMLText_117D44F6_77BE_6ED5_4192_EE2DB484CE0A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ringschnalle Typ V im Borrestil aus vergoldeter Bronze. Länge 9,3 cm, Breite 4,6 cm, Dicke 1,3 cm. </SPAN></SPAN></DIV></div>
HTMLText_062E9CF7_07EC_2C5C_4156_A9686342ABAE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Rom (Italien), Katakombe Marcellino e Pietro: Wandmalerei mit Totenmahl, 3. Jh. n. Chr.</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://tinyurl.com/yrjayamn" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC0 1.0</I></SPAN></A></SPAN></SPAN></DIV></div>
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HTMLText_8D8770B2_B787_333F_41E4_3CF3CA099517.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Seite aus der Pergamenthandschrift der </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>Lex Baiuvariorum</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> (800–825). Ingolstädter Handschrift, aus dem Nachlass von Christoph Gewold (1556–1621). </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Ludwig-Maximilian-Universität München, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://epub.ub.uni-muenchen.de/10923/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>Public Domain</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_9D8736DE_BDFB_1A56_41A7_71D18696E82C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Sindelsdorf (Bayern), Grab 232 : Männergrab mit Nadel, Schnalle, Kamm und Perlen, 6. Jh. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Nach H. und M. Menke 2013</SPAN></SPAN></DIV></div>
HTMLText_6DEBCF65_0494_2C7C_4191_BEBD544621AC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Sindelsdorf, Grab 232 : Nadel, Schnalle, Kamm und Perlen. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© H. und M. Menke 2013</SPAN></SPAN></DIV></div>
HTMLText_1109F70F_7782_EB32_41D9_2C5C6FA984F9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Spitzes Kappenendstück aus Silber mit Granulation und anhaftenden Seidenresten. Vier zugehörige,  pflaumenförmige Silberanhänger.</SPAN></SPAN></DIV></div>
HTMLText_ED7472C2_B885_4D0B_41C6_E4CCBDFB200E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Straubing, Grab 459: Perlen, Schnalle und Feinwaage</SPAN></SPAN></DIV></div>
HTMLText_9D85B6D4_BDFB_1AAA_41E3_0E7046DD94AC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Straubing-Bajuwarenstraße, Grab 258: Perlenkette eines Mädchens, 6. Jh.</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Nach </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://epub.uni-regensburg.de/37462/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>Hans Geisler</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_ED6F92BE_B885_4D7B_41D1_67D53DE9AEAD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Straubing-Bajuwarenstraße, Grab 26. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Nach </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://epub.uni-regensburg.de/37462/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>Hans Geisler</I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_D7F0A335_BB9F_D309_41D4_FF27E1D866AA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Straubing-Bajuwarenstraße, Grab 266: Frauengrab mit zwei Bügelfibeln am Gürtelgehänge, mit zwei Kleinfibeln an der Brust, weiterhin Ohrringe und Perlen, 6. Jh. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Nach </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://epub.uni-regensburg.de/37462/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>Hans Geisler</I></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I> </I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">und Thomas Fischer 1988</SPAN></SPAN></DIV></div>
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HTMLText_8D87A0B4_B787_333B_41CF_D27AECCADC73.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Straubing-Bajuwarenstraße: Ausschnitt einer Ausgrabungsfläche im Jahre 1980. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© O. Braasch, Bayer. Landesamt für Denkmalpflege-Luftbildarchiv, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://epub.uni-regensburg.de/37462/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>Hans Geisler</I></SPAN></A></SPAN></SPAN></DIV></div>
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HTMLText_E95B65ED_8E40_BDFF_41C1_1679CAD5A290.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Szegvár (Ungarn): awarenzeitliches Stollengrab mit Pferdebestattung, 7. Jh. n. Chr. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© G. Lőrinczy, Szeged</SPAN></SPAN></DIV></div>
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HTMLText_832E966B_BCD9_1A7E_41D1_372B983241FE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Tarquinia (Italien): (links) etruskisches Grabrelief mit der Darstellung einer Frau, die vermutlich am Dionysoskult teilnimmt und ein Kollier mit runden Bulla-Anhängern trägt, um 250 v. Chr; (rechts) goldenes Kollier mit runden Bulla-Anhängern, um 400–350 v. Chr. </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© The Trustees of the British Museum,</SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.britishmuseum.org/collection/object/G_1838-0608-9" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I> CC BY-NC-SA 4.0</I></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.britishmuseum.org/collection/object/G_1872-0604-643" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>CC BY-NC-SA 4.0 </I></SPAN></A></SPAN></SPAN></DIV></div>
HTMLText_05824080_0494_14B3_4185_D4D7776553E0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Unterradlberg (Österreich): Bronzener Spinnrocken aus einer Frauenbestattung, 4.–5. Jh. n. Chr.  </SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">© Stadtmuseum St. Pölten, Foto: AnWoRa</SPAN></SPAN></DIV></div>
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HTMLText_EAEEB6E8_CAFA_8EE5_41DD_E50C5D573E68.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:22px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:22px;font-family:'Microsoft YaHei';">Vom Grab in die Vitrine:</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:22px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:22px;font-family:'Microsoft YaHei Light';">(Ge)schlecht verstanden?</SPAN></SPAN></DIV></div>
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HTMLText_DF063E4D_72DD_8E56_41B2_5647EE44F1C8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.000000000000002px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:15px;font-family:'Corbel';"><I>1    [ Image description ]</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.000000000000002px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:15px;font-family:'Corbel';"><I>2    [ image description ]</I></SPAN></SPAN></DIV></div>
HTMLText_07069629_724D_F1DF_41D0_B4CE4D5C8E01.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15.000000000000002px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:15px;font-family:'Corbel';"><I>1    [ Image description ]</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15.000000000000002px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:15px;font-family:'Corbel';"><I>2    [ image description ]</I></SPAN></SPAN></DIV></div>
HTMLText_FA7E08FA_724C_923D_41C8_BB83FC8D20E6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die Ausstattung des Grabes Bj 581 stellt eine Besonderheit – sowohl für Männer- als auch für Frauenbestattungen – in Birka dar. Auffällig ist jedoch das Fehlen von Schmuck und Fibeln. Was hat man in Birka den Frauen mit ins Grab gegeben? Charakteristisch sind beispielsweise verschiedene Fibeln, wie Schalen- und Rundfibeln aus Silber und Bronze, die teilweise auch vergoldet sind. Die ovalen Fibeln trug man paarweise, um die Schulterschlaufen des Obergewands zu befestigen. Darüber hinaus sind Armreife, Ringe, Spannen und Perlenketten belegt. Als Alltagsgeräte treten besonders häufig Kämme, Scheren und Messer auf, es gibt jedoch auch Pfrieme, Wetzsteine, Nadelbüchsen und Nadeln, ebenso wie Pinzetten und Ohrlöffel.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Es gibt auch Bestattungen, die durch einen besonderen Reichtum auffallen. In Norwegen, in der Gegend von Gausel, wurde 1883 das Grab der „Dame“  oder „Königin von Gausel“ aus der Mitte des 9. Jhs. entdeckt. Die vergoldeten Ovalfibeln, eine weitere Silberfibel und die Silberarmringe deuten auf eine Frau hin, auch wenn keine anthropologische Bestimmung der Toten erfolgen konnte. Sie hatte aber auch drei Trinkhörner und zwei Messer bei sich und zu ihren Füßen lag ein abgeschlagener Pferdekopf. Die vergoldeten Beschläge des Zaumzeugs stammen vermutlich aus Irland, ebenso wie eine Bronzeschale und weitere Gefäße.</SPAN></SPAN></DIV></div>
HTMLText_07067629_724D_F1DF_41D9_F065273074EA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Im Grab Bj 581 gab es außer Waffen eine Reihe von Objekten, aber kaum eine  unter ihnen verweist eindeutig auf eine Frau. Vergleichsbeispiele für die Spielsteine, das Gewicht, die Schnalle und den Kamm finden sich sowohl in Männer- als auch in Frauengräbern. Die Mütze zierten eine konische Spitze und vier Anhänger aus Silber, wie bei den </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Waräger" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Warägern</B></SPAN><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';">  </SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">bekannt war.</SPAN></SPAN></DIV></div>
HTMLText_DF079E4D_72DD_8E56_41DC_6AEC1AC52BE0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Man ist immer noch geneigt, der Vorstellung zu folgen, dass „richtige“ Krieger grundsätzlich männlichen Geschlechts seien. Der Wandel der glorifizierenden Darstellung von Bj 581 von Birka vom archetypischen Wikingerkrieger zur “Schildmaiden” regt jedoch die Genderdebatte an. Dabei richtet sich der Blick nicht allein auf Waffen führende Frauen, sondern auch auf die vielseitigen sozialen und religiösen Gefüge, in denen weibliche Protagonistinnen während der Wikingerzeit eine Rolle spielten. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">In der nordischen Vorstellungswelt haben Walküren und Göttinnen neben Bären- und Wolfskriegern bei den Kriegsgeschehnissen ihren festen Platz. Walküren gelten als Dämonen der Schlachtfelder, die „Erwählerinnen der Gefallenen“, die sie nach Walhalla begleiten. Ihre sprechenden Namen, wie Schwertlärm oder Schlachtweberin zeugen von ihrem Tun. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Aus der Wikingerzeit sind kleine Figuren, Anhänger bzw. Fibeln überliefert, die Frauen mit Waffen abbilden. Sie tragen lange Kleider und Kopfschmuck, in der einen Hand halten sie einen runden Schild, in der anderen ein Schwert. Sie werden als Walküren-Figuren gedeutet. Eine neue Entdeckung lässt vermuten, dass es sich um das Abbild von Frauen in diversen Kostümen bei einer rituellen Prozession handeln könnte. Ähnliche Figuren sind nämlich auf einem im </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Oseberg-Schiff" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Schiffsgrab von Oseberg</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">  entdeckten Teppich  aus der ersten Hälfte des 9. Jhs. zu sehen. Die bunten Bilder zeigen die Aneinanderreihung von Wagen, Pferden und Menschen – Frauen und Männer erscheinen mit Waffen, gehörnten Helmen sowie Tierfellen.</SPAN></SPAN></DIV></div>
HTMLText_062D224F_07EC_144D_4161_D531F55307EF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://en.wikipedia.org/wiki/Joss_paper" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';">Kaum ein anderer Akt der Beerdigung erreicht mehr Zuschauer*innen als ein Prozessionszug und gibt den Angehörigen die Chance einer besonderen Inszenierung. Diese Kunst pflegte man mit Vorliebe im antiken Rom. Die </SPAN><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><I>pompa funebris</I></SPAN><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';">, die für Mitglieder der Aristokratie veranstalteten Bestattungsprozessionen, fungierten auf zweierlei Ebenen. Man erinnerte sich an den Verstorbenen, an seine Tugenden und Erfolge, während sie gleichzeitig für die Zuschauer*innen einen hohen Unterhaltungswert besaßen. Tänzer, Schauspieler, Musiker und Klageweiber verwandelten eine Trauerprozession in ein öffentliches Spektakel und sorgten so für die Nachhaltigkeit des kollektiven Erinnerns.</SPAN></A></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://en.wikipedia.org/wiki/Joss_paper" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';">Auch in China war es ein geläufiger Bestandteil der Bestattungszeremonie, den Leichnam in einem langen prunkvollen Prozessionszug mit vielen Akteuren zu begleiten, ähnlich wie im antiken Rom. Das Verbrennen von</SPAN><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B> Joss paper</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I> </I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">(Gold-, Geister- oder Höllengeld), Räucherstäben und Mahlopfern gehörte mit zur Zeremonie. Diese aufwändigen Bestattungen haben viele Familien in Unkosten gestürzt. Deswegen kam mit der Zeit der Brauch auf, eine Nachbildung des Prozessionszugs in Miniatur zu erstellen. Mit einem solchen individuell angefertigten Modell erfüllten die Angehörigen ihre Pflicht gegenüber dem oder der Verstorbenen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">In vielen Kulturen spielen bei der Prozession Bahren und Prunkwagen eine  wichtige Rolle. In reicheren Gräbern findet man auch deren Überreste. Vor allem in den Bestattungen der Hallstatt- und Frühlatènzeit (ca. 800–250 v. Chr.) sind entsprechende Belege überliefert, wie z. B. im Fürstengrab von Hochdorf in Baden-Württemberg. </SPAN></SPAN></DIV></div>
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HTMLText_964136FD_F4F3_C7CE_418F_B0F129DACACA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:15px;font-family:'Corbel';"><B><I>1   Die Amphore</I></B></SPAN><SPAN STYLE="font-size:15px;font-family:'Corbel';"><I> (um 535 v. Chr.) zeigt eine in der griechischen Mythologie überlieferte Kampf von Achilles gegen eine mit Speer und Schild bewaffnete Amazone Penthesilea. (© The Trustees of the British Museum; Lizenz: CC BY-NC-SA 4.0 https://creativecommons.org/licenses/by-nc-sa/4.0/) </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:9px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:15px;font-family:'Corbel';"><B><I>2   Amazonenkampf</I></B></SPAN><SPAN STYLE="font-size:15px;font-family:'Corbel';"><I> war einer der beliebten Motive auf kleinasiatischen römischen Sarkophagen: Ein Fragment (Prygien, um 160 n. Chr.) zeigt den Kopf einer bewaffneten Amazone. (Mit freundlicher Genehmigung des Antikenmuseums der Universität Leipzig, Fotografin: Marion Wenzel.)</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:9px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:15px;font-family:'Corbel';"><B><I>3   Die Tote der Certomlyk-Nekropole </I></B></SPAN><SPAN STYLE="font-size:15px;font-family:'Corbel';"><I>(Bestattung 2, Kurgan 9) starb vermutlich durch eine hinter den Kiefer eingetroffene Pfeilspitze. (Mit freundlicher Genehmigung von Prof. Dr. Dr. M. Schultz, Göttingen)</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:9px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:15px;font-family:'Corbel';"><B><I>4   Reste einer bronzenen Pfeilspitze</I></B></SPAN><SPAN STYLE="font-size:15px;font-family:'Corbel';"><I> im 5. Lendenwirbel einer “Amazonin” der Certomlyk-Nekropole. (Mit freundlicher Genehmigung von Prof. Dr. Dr. M. Schultz, Göttingen)</I></SPAN></SPAN></DIV></div>
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HTMLText_6871A0F3_F456_5BD9_41BF_A7095C0C707F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:15px;font-family:'Corbel';"><I>1   22 Spielsteine aus Walknochen und durchgehendem Bleikern, sowie zwei Würfel aus Walrossknochen. Höhe 2,8 cm, Breite 2,4 cm, Tiefe 2,4 cm.</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:15px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:15px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:15px;font-family:'Corbel';"><I>2      Fragmentiert Vergleichskamm  (Statens historiska museer)</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:15px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
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HTMLText_6050A4BA_C763_F81D_41BA_6C3A7E891220.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:15px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:15px;font-family:'Corbel';"><I>1-2   Straubing-Bajuwarenstraße, Grab 29, Perlen</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:15px;font-family:'Corbel';"><I>3       Straubing-Bajuwarenstraße., Grab 29, Gürtelschnalle</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:15px;font-family:'Corbel';"><I>4       Straubing-Bajuwarenstraße, Grab 29, Kamm</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:15px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:15px;font-family:'Corbel';"><I>5       Funde </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:15px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:15px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
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HTMLText_06062834_079C_13DC_418B_3E32BA7FE488.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';">[ Text E.5.1.6 ]</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';">Objektgruppentext</SPAN></SPAN></DIV></div>
HTMLText_CC58FB2D_8E40_967F_41C0_F274077970C2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Als 1968 im finnischen Suontaka Vesitorninmäki eine Bestattung des 11. Jahrhunderts entdeckt wurde, ahnte noch niemand die Besonderheit, die darin verborgen lag. Die Ausstattung der verstorbenen Person, die neben Waffen auch reichlich Schmuck enthielt, veranschaulicht, wie irreführend die stereotype Einteilung von Menschen und Objekten in die Kategorien „männlich“ und „weiblich“ sein kann.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die Schalenfibel an den Schultern und die anderen Schmuckobjekte sind typische Elemente der Frauenbekleidung des wikingerzeitlichen Nordens. Es lagen aber auch zwei Schwerter in der Grabgrube, die wiederum für Männer als charakteristisch angesehen werden. Die wertvollen Pelze und die Federdecke, auf die man den Leichnam bettete, lassen zusammen mit allen übrigen Beigaben darauf schließen, dass die hier beigesetzte Person hohes Ansehen genoss. Man vermutete daher lange Zeit, dass es sich um das Doppelgrab einer Frau und eines Mannes der gesellschaftlichen Elite oder um das Waffengrab einer (Krieger-)Frau mit Macht und Status handelt. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Eine aktuelle Studie weist jedoch in eine unerwartete Richtung. Im Grab wurde nur eine Person in Frauenkleidung und mit einem Schwert ohne Griff bestattet. Das zweite, prunkvolle Schwert mit Bronzegriff kam wohl erst später mit ins Grab. Eine weitere Analyse deutet darüber hinaus an, dass die bestattete Person weder eindeutig weiblich noch männlich war, sondern eine genetische Geschlechtsanomalie aufwies.</SPAN></SPAN></DIV></div>
HTMLText_D24B1861_8E40_92E7_41DC_C81BE2EA5746.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Als Ausstattung eines Reiterkriegers gelten neben dem Pferd vor allem Bogen und Pfeil. Der </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Kompositbogen" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Reflexbogen</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> konnte als Kriegs- und Jagdwaffe je nach Art der in den Köchern aufbewahrten Pfeile eingesetzt werden. Der Säbel, eine einschneidige, leicht gebogene Angriffswaffe, eignete sich bestens zum Kampf vom Pferd aus. Säbelgriff und -scheide waren wie der Gürtel mit vergoldeten Metallbeschlägen geschmückt. Gürtel mit zahlreichen Nebenriemen galten bei den Awaren als Zeichen ihrer sozialen Stellung.</SPAN></SPAN></DIV></div>
HTMLText_8D8010C0_B787_335B_41CD_3AE9F61F0400.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Als Baiuvaren bezeichnete man eine Bevölkerungsgruppe, die unter der Herrschaft der Agilolfinger Oberbayern und Teile Niederbayerns, der Oberpfalz, Bayrisch-Schwabens, Österreichs und Südtirols besiedelte. Dieses „ältere baierische Stammesherzogtum“ bestand vom 6. bis zum Ende des 8. Jhs. n. Chr. Woher kamen und wer waren die Baiuvaren? In den Schriftquellen taucht die Bezeichnung tatsächlich erst im 6. Jh. auf. Eindeutige Hinweise auf Einwanderer finden sich aber nicht. Die lokale provinzialrömisch-germanische Bevölkerung bekam lediglich eine neue Führungsschicht und damit wohl den Namen. Die baiuvarische Gesetzessammlung </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>Lex Baiuvariorum</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> berichtet: „Der Herzog aber, der dem Volke vorsteht, er war immerdar aus dem Geschlecht der Agilolfinger und so soll es sein…“ (cap. 3,1). Es kam aber anders: Die Absetzung Tassilos' III. durch Karl den Großen im Jahre 788 markiert das Ende der Herrschaft der Agilolfinger. Ihr Herzogtum wurde Teil des Frankenreichs, aus dem später die heutigen Länder Frankreich und Deutschland hervorgingen. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die Spuren der „Menschen aus Baia“ finden die Archäolog*innen in zahlreichen Gräberfeldern des 5.–7 Jhs. n. Chr. Die Toten wurden reich mit Objekten ausgestattet ins Jenseits entsandt, wie auch auf dem Gräberfeld von Straubing-Bajuwarenstraße (Bayern). Die über 800 Bestattungen zeugen von einer Nutzungszeit von über 200 Jahren. Die Menschen, die hier bestattet wurden, müssen zuvor hier gelebt haben, auch wenn wir ihre Siedlung nicht kennen. Die fruchtbare  Region </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Gäuboden" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Gäuboden</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><B> </B></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">an der Donau und die geographisch günstige Lage machten die Gegend seit jeher zu einem gefragten Siedlungsland.</SPAN></SPAN></DIV></div>
HTMLText_DB8FCC1D_8FC0_B25F_41E0_64E4B087263D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Als sie im 4. Jh. n. Chr. starb, war diese Frau zwischen 25 und 35 Jahre alt. In ihrem Beckenbereich lagen Knochen eines Fötus, die bezeugen, dass sie im 5. Monat schwanger war. Zudem lassen Schädelverletzungen darauf schließen, dass sie mehrfach Opfer von Gewalt wurde. Ihr Grab fand sich am Rande des spätrömischen Gräberfeldes von Ratzersdorf. Es war mit einer Länge von fast 2,5 m und einer Breite von 1,3 m größer als die meisten anderen Gräber dieses Bestattungsplatzes (sie selbst maß nur 1,55 m). Hervorzuheben ist auch eine rechteckige Vertiefung an der Grabsohle, die auf einen nunmehr vergangenen Holzsarg hindeutet – bei den meisten Bestatteten sind keine Spuren von Holz- oder Steinkonstruktionen belegt. Auch die Anzahl und Qualität der Beigaben, darunter ein exquisiter Halsschmuck und ein seltenes Becherchen, hebt sich von einigen der anderen Gräber ab.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Sind dies Anzeichen tiefer Trauer um die junge Frau und ihr ungeborenes Baby, die wahrscheinlich gewaltsam zu Tode kamen? Doch warum wurde sie etwas abseits, am Rande des Gräberfeldes bestattet? Wir wissen es nicht. Womöglich stellt dies ebenso eine besondere Ehrung dar, doch auch eine Ausgrenzung aus der Gesellschaft, aufgrund der besonderen Todesumstände, kommt infrage.</SPAN></SPAN></DIV></div>
HTMLText_D1C7A4C5_8E40_F22F_41E0_9E4571520E3B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Amazonen, die „männergleichen” Frauen der Antike, sind in Mythen und auf bildlichen Darstellungen belegt. Ihr Beispiel zeigt, dass Waffen, darunter Pfeil und Bogen, nicht ausschließlich Männern vorbehalten waren. Die Gräber der ältesten namentlich bekannten Reiternomaden – der </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Skythen" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Skythen</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> – liefern einen deutlichen Beleg. Die Skythen drangen im frühen 7. Jh. v. Chr.  in die nordpontische Steppe ein. Ihre Gräber mit Waffen hat die frühere Forschung selbstverständlich als Ruhestätte von Männern betrachtet. Als immer mehr anthropologische Belege dafür vorlagen, dass es sich in einigen Fällen auch um Frauenbestattungen handeln könnte, hat man das Phänomen mit den „Amazonen“ in Verbindung gebracht. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Als „Amazonengräber“ gelten Bestattungen von Frauen, denen man Waffen ins Jenseits mitgab. Oft kommen Pfeil und Bogen oder Speer vor, deutlich seltener Schwert oder Schutzrüstung. Dass die Frauen diese Waffen in ihrem Leben genutzt haben, lässt sich auch beweisen. In der Certomlyk-Nekropole (Ukraine), vom Ende des 5.–4. Jh. v. Chr., haben anthropologische Untersuchungen gezeigt, dass bei manchen Frauen die Brustmuskulatur bzw. die Zeigefinger besonders stark beansprucht wurden. Dies gelte als Hinweis, dass sie tatsächlich zu Lebzeiten mit dem Bogen umgingen. Für einige Frauen war der Pfeil nicht nur Teil solcher Übungen, sondern verursachte auch ihren Tod, wie die Lage eines Pfeils in den Knochen verdeutlicht. </SPAN></SPAN></DIV></div>
HTMLText_6EE82280_7582_652E_41CE_87E814972E9C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Aus dem Grab aus Suontaka Vesitorninmäki konnten aufgrund der schlechten Erhaltung lediglich einige wenige Knochenfragmente geborgen werden. Sie reichten für die Geschlechtsbestimmung zunächst nicht aus. Erst der wissenschaftliche Fortschritt ermöglichte die Antwort auf die Frage, welches biologische Geschlecht die hier bestattete Person hat. Mithilfe des genetischen Materials  (</SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/ADNA" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>aDNA</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">) suchte man nach dem chromosomalen Geschlecht. Bei einer weiblichen Person erwartet man zwei X-Chromosomen, bei einer männlichen ein X- und ein Y-Chromosom. Die Ergebnisse der Untersuchung sorgten für Schlagzeilen, denn mit 99,75-prozentiger Wahrscheinlichkeit handelt es sich hier um einen Mann, der ein zusätzliches X-Chromosom in seinem Genom aufweist. Er litt also unter dem </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.msdmanuals.com/de-de/heim/gesundheitsprobleme-von-kindern/chromosom-und-genanomalien/klinefelter-syndrom" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Klinefelter-Syndrom</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">. Die körperlichen Merkmale können dabei unterschiedlich stark ausgeprägt sein. Ein Mangel an Testosteron, dem wichtigsten männlichen Sexualhormon, führt in der Regel zu Unfruchtbarkeit und einem femininerem Erscheinungsbild mit schwächerem Bartwuchs, breiteren Hüften und teilweise sogar zu Brustwachstum. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Zum </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Crossdressing" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B><I>Crossdressing</I></B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">  gesellt sich in Sountaka also auch eine Geschlechtsanomalie. Dieses Phänomen, bei dem die stereotype binäre Einteilung und die traditionellen Geschlechterbilder nicht greifen, ist bislang eine Ausnahme. Wie die Person aus Sountaka von ihren Mitmenschen wahrgenommen wurde, bleibt für uns ein Rätsel. Ihr reich ausgestattetes Grabe zeugt aber von hohem gesellschaftlichen Ansehen.</SPAN></SPAN></DIV></div>
HTMLText_880C937F_BCDB_1A56_41C0_6086C1569264.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Bei der Suche nach der Bedeutung bestimmter Objekte im Grab nehmen Eliten-, Prunk- bzw. Fürstengräber eine besondere Rolle ein. Vieles deutet darauf hin, dass in diesen Bestattungen bei der Auswahl der Objekte das biologische Geschlecht des bzw. der Toten keine entscheidende Rolle spielte. Ein anschauliches Beispiel liefern dafür Bestattungen der ersten Hälfte des 6. Jhs. v. Chr. aus Südwestdeutschland. Sie erhielten neben sonstigen Kostbarkeiten goldene Hals-, Arm- und/oder Ohrringe.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">So trug der Mann aus dem „Fürstengrab“ von Hochdorf (Baden-Württemberg, 530/520 v. Chr.) einen Ring am Hals und eine Armstulpe auf dem rechten Arm, beide aus Gold. Zwei Individuen von Bad Canstatt (Stuttgart, 6. Jh. v. Chr.) wurden ebenfalls mit goldenen Hals- und Armringen ausgestattet. Im Kopfbereich wurden außerdem je zwei goldene Ohrringe entdeckt. Es ist ungewiss ob zwei Männer oder ein Mann und eine Frau hier bestattet wurden. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Insbesondere die goldenen Hals- und Armringe gelten als Statussymbole – ein Ausdruck von sozialer Macht – in der Hallstattzeit. Die goldenen Ohrringe lassen sich auch in dieses Schema einordnen. Solche Schmuckensembles sind allerdings keineswegs nur Männern vorbehalten. In zeitgleichen Frauengräbern treten zwar eher bronzene Varianten auf, aber es gibt durchaus Ausnahmen. Die Frau, die in Vix (Mont Lassois, Frankreich, 6. Jh. v. Chr.) beigesetzt wurde, bekam neben einem einfachen Bronzehalsring auch einen prächtigen Goldhalsring mit ins Grab. Auch in Südwestdeutschland finden sich Frauengräber mit Goldschmuck, wie das Beispiel von Esslingen-Sirnau (Baden-Württemberg) verdeutlicht.</SPAN></SPAN></DIV></div>
HTMLText_0615F0D1_07BF_F455_4193_40B257B7BA73.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Birka weist mit mehr als 3000 Gräbern die höchste bekannte Dichte an wikingerzeitlichen Bestattungen auf. Über die Hälfte der Verstorbenen  unter oder in den Grabhügeln Birkas wurden verbrannt beigesetzt. Beim 1878 entdeckten Grab Bj 587 handelt es sich jedoch um eine Körperbestattung. Die verstorbene Person wurde in einer rechteckigen, mit Holzbrettern ausgekleideten, ca. 3,5 × 1,7m großen Kammer beigesetzt, vermutlich sitzend. Das Grab enthielt zahlreiche Objekte. Im Osten auf einem Podest lagen eng zusammengerückt zwei voll aufgeschirrte Pferde. Auffallend ist die komplette Waffenausrüstung: Je ein Schild war gegen die Kammerwand gelehnt. Südlich vom Leichnam lagen ein Langbogen und Pfeile in Köchern, eine Streitaxt und ein Speer. Direkt neben dem Körper wurde rechts ein Hiebmesser und links ein Schwert deponiert, auf den Leichnam legte man einen Beutel mit Spielsteinen.  Das zugehörige Brett deponierte man zu seinen Füßen, neben einem Steigbügelpaar. Es fanden sich zudem ein Kamm, eine Bronzeschlüssel und ein Viertel eines Silberdinars, geprägt 920/21. Auf Kontakte gen Osten weist die Kopfbedeckung hin: Die Mütze besaß eine konische Spitze und am Hinterkopf vier Anhänger aus Silber. Aufgrund dieses Repertoires und des Reichtums wurde die hier bestattete Person zunächst ohne Zweifel als Mann und Krieger angesprochen der aus Nordosteuropa stammte.</SPAN></SPAN></DIV></div>
HTMLText_D7F55342_BB9F_D30B_41BD_24EFC5531858.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Bis heute sind mehr als 10.000 Gräber des 5.–7. Jhs. n. Chr. bekannt, die man mit den Baiuvaren verbindet. Es ist jedoch keine ethnische Bezeichnung, da die Bevölkerung unterschiedliche Wurzeln hatte. Die Bewohner*innen der  Provinz </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Raetia" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B><I>Raetia</I></B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">, darunter verschiedene germanische Gruppen, und der Austausch mit Böhmen und dem Mitteldonauraum haben ihren Anteil an diesem „Völkergemisch“. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Es gibt daher keine(n) typische(n) Baiuvar*in, zumindest nicht nach den archäologischen Quellen. Ihre erhaltenen Schmuck- und Bekleidungsstücke ähneln denen ihrer Nachbarn, der </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Alamannen" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Alamannen</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Franken_(Volk)" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Franken</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> und </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Thüringer" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Thüringer</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">. Das biologische Geschlecht scheint aber eine entscheidende Rolle bei der Auswahl der Objekte für die Bestattungen gespielt zu haben. Die Männer bekamen u. a. mit Metallbeschlägen verzierte Gürtel und Waffen mit, die Frauen hingegen neben Haar-, Arm- und Ohrschmuck mehrere Fibeln. Ein weiteres Kennzeichen sind sog. Gürtelgehänge – auf diesen von der Taille aus herabhängenden Riemen wurden Zierbesätze, Amulette und Geräte befestigt. Obwohl auf baiuvarischen Gräberfeldern bestattete Frauen im Schnitt etwas älter wurden als Männer, war ihr Leben im gebärfähigen Alter durch Schwangerschaft und Geburt mit mehr Risiko behaftet. So verstarben 50 % der 18 bis 40-jährigen Frauen! Vielleicht ist die reiche Grabausstattung von Frauen dieser Altersgruppe damit zu erklären, dass ihr Verlust für die Gemeinschaft besonders groß war. </SPAN></SPAN></DIV></div>
HTMLText_ED6BD2CB_B885_4D19_41CA_1F8373765E2B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das Grab 26 des Gräberfelds von Straubing-Bajuwarenstraße zeigt auf den ersten Blick ein gewöhnliches Bild. Die seicht ausgehobene Grabgrube aus dem 6. Jh. n. Chr. beherbergte die Überreste eines ca. 1,80 m großen Mannes, der mit über 40 Jahren vergleichsweise alt wurde. Er hatte eine Verletzung am Schienbein, was ihn körperlich beeinträchtigte, ihn womöglich hinken ließ. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das Grab wurde beraubt, wobei die Beweggründe der „Graböffner“ unklar bleiben – hatten sie es auf die Grabfunde abgesehen oder führten sie andere Dinge im Schilde? Wir wissen es nicht, es ist aber zu vermuten, dass es zeitnah nach der Beerdigung geschah, die Grabräuber den Bestatteten vielleicht sogar kannten. Im Grab befanden sich jedenfalls nur noch wenige Objekte und es ist nicht festzustellen, ob manche beim „Raub“ entnommen wurden. Im Bereich des Beckens lagen eine Eisenschnalle und ein Kamm aus Bein. Am Schädel befanden sich elf Perlen, die einst zu einer Kette aufgefädelt oder am Saum des Kragens aufgenäht waren. Auffällig ist, dass vergleichbare Inventare eher in Frauen- und Mädchengräbern vorkommen. </SPAN></SPAN></DIV></div>
HTMLText_D17AA49A_8E40_9225_41D8_6AAC833A8503.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das Grab 64 von Gyenesdiás enthielt zwei Fingerringe, ein Paar Ohrringe und eine römische Münze aus Gold. Einer der Fingerringe trägt eine Granateinlage, bei einem der Ohrringe ist noch der Amethystanhänger erhalten. Der Solidus der Kaiser Konstans II. und Konstantin IV. wurde in den Jahren zwischen 654 und 659 n. Chr. in Konstantinopel geprägt. Auch die Fingerringe und das Ohrringpaar stammen direkt aus Byzanz. </SPAN></SPAN></DIV></div>
HTMLText_18B67EDC_7485_9AD5_41CC_0D89E51F8F00.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Das untere Traisental Niederösterreichs mit seinen zahlreichen Naturschutzgebieten lädt nicht nur heute zum Verweilen ein. Seine fruchtbaren Lössböden sind seit tausenden Jahren gefragtes Siedlungsland. Auch die Traisen selbst dürfte als Wasserquelle und Transportweg Menschen angezogen haben, zumal das Tal zwischen dem 1.–5. Jh. n. Chr. ein grenznaher Raum des Römischen Reichs und der </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Noricum" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Provinz Noricum</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> war. Es verwundert daher nicht, dass Siedler sich an wichtigen Verkehrsverbindungen zwischen der römischen Stadt </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>Aelium Cetium</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> (heute St. Pölten) und dem nur einen Tagesmarsch entfernten Donaulimes niederließen. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ein erst kürzlich entdecktes spätrömisches Gräberfeld aus dem 4./5. Jh. n. Chr. im heutigen Ort Ratzersdorf zeugt davon. Ausgegraben wurden etwa 80 Gräber, darunter vor allem Körper- und nur wenige Brandbestattungen. Wo die Menschen, die hier bestattet wurden, ihre Häuser hatten und ihrem Alltag nachgingen, können wir im Moment nur vermuten. Allzu weit entfernt dürfte die Siedlung jedoch nicht gelegen haben. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Doch warum hat man sich nicht direkt am Fluss, sondern etwa 1 km entfernt in Hanglage niedergelassen? Ein Grund dafür war sicherlich die Traisen selbst, deren Name sich von der antiken Bezeichnung </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>tragisama</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> ableitet und „die schnell Fließende“ bedeutet. Tatsächlich besitzt die Traisen das größte Durchschnittsgefälle aller niederösterreichischen Voralpenflüsse! Bei Hochwasser kam es immer wieder zu verheerenden Verwüstungen. Eine Siedlung direkt am Fluss wäre daher nicht von Dauer gewesen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_D00396F9_8FC0_9FE7_41DB_08BFAEA4DAB9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Dem Mann in Grab 26 von Straubing-Bajuwarenstraße wurden nur wenige Objekte mit ins Grab gegeben. Die Eisenschnalle dürfte seinen Gürtel verschlossen haben und den Kamm nutzte er sicher zur Haarpflege, u. a. zum Auskämmen von Läuseeiern. Die Funktion der Perlen, darunter zwei seltene Exemplare aus Bernstein, bleibt offen. Entweder sie dienten als Halskette oder als Kragenbesatz. Möglich ist auch, dass sie dem Toten einfach einzeln auf den Hals bzw. die Brust gelegt wurden, ohne vorher getragen worden zu sein.</SPAN></SPAN></DIV></div>
HTMLText_EB9F7BBB_8E40_965B_41B0_55270D021273.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Der Mann in Grab 64 verstarb als er zwischen 30–35 Jahre alt war. Die meisten Männer in der Nekropole starben in einem Alter zwischen 25 und 35 Jahren. Sie lebten damit aber immer noch durchschnittlich länger als die Frauen, die häufig bereits zwischen 15 und 25 Jahren verschieden sind. Die reiche Ausstattung, die der Mann im Grab 64 von Gyenesdiás erhielt, zeigt enge Beziehungen mit einer Reihe weiterer Bestattungen des 7. Jhs. n. Chr. an, die man mit der awarischen Elite verbindet. Wo kam diese Elite her? Die partielle Ziegenbestattung, der Reflexbogen und der Säbel aus Grab 64 deuten zwar östliche Verbindungen an, sind aber kein Beleg für eine direkte Einwanderung des Mannes aus dieser Region. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Erste genetische Untersuchungen verweisen allerdings darauf, dass es unter der awarischen Elite Individuen aus Zentralasien gegeben hat, wie z. B. den „Khagan“ von Kunbábony (Ungarn).  Die Ergebnisse der Archäologie und der Anthropologie müssen aber nicht immer miteinander einhergehen. Im Grab 108 von Kölked-Feketekapu (Ungarn) lag eine ca. 40 Jahre alte Frau. Ihr Schmuck und die Ausstattung deuten auf spätantike und merowingische Traditionen des 7. Jhs. hin, ihre biologischen Daten hingegen verraten asiatische Wurzeln. </SPAN></SPAN></DIV></div>
HTMLText_061E234E_07AC_144F_4153_DF1970BB4B8C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Der Tod eines Menschen wird in vielen Kulturen als Startpunkt einer Reise in eine andere Welt angesehen. Die Vorbereitung auf diese Reise kann auf dem Sterbebett anfangen und Tage bis Monate nach dem Tod andauern. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Noch heute finden sich in unserer Gesellschaft Abläufe im Umgang mit dem Tod, die aus den vormodernen christlichen Traditionen abzuleiten sind. Seit jeher galt es, eine ganze Reihe an Ritualen auszuführen, wobei die Sequenz bereits auf dem Sterbebett begann. Im Sinne der </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Ars_moriendi" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B><I>ars bene moriendi</I></B></SPAN><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B> </B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">(die Kunst des guten Sterbens) nahmen die im Sterben Liegenden Abschied und regelten alles Weltliche. Bevor sie den Tod begrüßten, erhielten Christ*innen nach der Beichte die letzte Ölung. Nach dem Tod folgten die Aufbahrung, die Totenwache und Totenmesse, der Leichenzug, das Begräbnis und schließlich der Leichenschmaus. Obwohl vor dem Tod alle als gleich postuliert wurden, wusste man durchaus die Bestattungen als Repräsentation von Status und materiellem Reichtum der Verstorbenen und ihrer Angehörigen zu inszenieren.</SPAN></SPAN></DIV></div>
HTMLText_69995C76_76DB_6F67_41C9_3C07C9396F20.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Der Tod ist eine Zäsur, für alle Beteiligten. Mit ihm wandelt sich der Status einer Person. Totenrituale und -handlungen zur Verarbeitung dieses einschneidenden Erlebnisses spielen dabei seit jeher eine wichtige Rolle. Sie sollen der verstorbenen Person ihre neue Bedeutung und Identität verleihen. Zugleich helfen sie den Angehörigen ihre Toten angemessen zu verabschieden und ihre Trauer zu überwinden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Nach dem Tod wurde in vielen Kulturen der Körper des Verstorbenen eine Zeit lang aufgebahrt – um zu trauern, Abschied zu nehmen, doch auch, um den Übergang in eine neue Welt vorzubereiten. Den Leichnam hat man je nach Tradition gewaschen, eingeölt, parfümiert und in Tücher gewickelt oder feierlich angekleidet. Um dem Körper im Jenseits wieder Leben ‚einzuhauchen‘, konnten die Toten aufwendig geschmückt, bemalt und geschminkt werden. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die Entscheidung für Erd-, Brand-, Luft- oder Wasserbestattung war maßgeblich durch Jenseitsvorstellungen bestimmt, die auch hygienische Aspekte mit berücksichtigten. Um die Verwesungsprozesse zu beschleunigen, konnten mitunter Weichteile entfernt, der tote Körper verbrannt oder den Elementen und Tieren ausgesetzt werden. Das Christentum plädierte hingegen für die Körperbestattung, da die „Unversehrtheit“ der Körper unabdingbar für die Vereinigung mit der Seele bei der Auferstehung galt. Im alten Ägypten sorgte man durch Mumifizierung des Leichnams für eine möglichst intakte Körperhülle im Jenseits – nur so, glaubte man, konnten Lebenskraft und Seele der verstorbenen Person zu ihr zurückkehren.  </SPAN></SPAN></DIV></div>
HTMLText_F8771E07_8E40_8E2B_41D0_0AC427C0BF23.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die Ausstattung von Bj 581 muss bei den Ausgrabungen 1878 einen klaren Eindruck auf die Entdecker gemacht haben: Hier wurde ein hochangesehener Mann und Krieger beigesetzt. Doch die nachträglichen anthropologischen Untersuchungen in den 1970er Jahren ließen Zweifel aufkommen. Sie vermittelten ein überraschendes Bild des vermeintlichen Paradebeispiels eines Wikingerkriegers von hohem Rang. Es sollte sich um die Überreste eine etwa 30-jährige Frau mit schlanker, graziler Knochenstruktur gehandelt haben, die trotz des „kriegerischen“ Erscheinungsbildes keine Traumata an den Knochen aufwies. Die 2017  durchgeführten </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.express.co.uk/news/science/1489370/archaeology-discovery-birka-sweden-contents-viking-women-warrior-grave-history-spt" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>aDNA-Analysen</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">  bestätigten diese Bestimmung. Bei der Krieger-Bestattung handelt es sich biologisch eindeutig um eine Frau! Weitere Analysen bezüglich ihrer Herkunft deuten allgemein auf den nordeuropäischen Raum hin. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Es bleiben aber auch berechtigte Zweifel an diesem Ergebnis. Stolpe hat nämlich seine erste Zeichnung des Grabes von 1889 später korrigiert und es gibt eine Diskrepanz zwischen den in den 1940ern publizierten Daten und dem heute vorhandenen osteologischen Material, samt zugehörigem Fundkontext. Lag nur eine Person im Grab, werden dem Grab Bj 581 die richtigen Knochen zugeordnet? Im vergleichbaren Kammergrab Bj 644 von Birka wurden beispielsweise ein Mann und eine Frau zusammen bestattet. </SPAN></SPAN></DIV></div>
HTMLText_062E9D1B_07EC_2DD4_418A_7C45D3771D8E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die Grenzen zwischen Diesseits und Jenseits werden in den meisten Kulturen als durchlässig betrachtet. In Bräuchen, die man im Gedenken an die Verstorben pflegt oder in Abwehrritualen gegen Wiedergänger, spiegelt sich diese Vorstellung beispielhaft wider. Jährlich wiederkehrende Festtage, wie der </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Tag_der_Toten" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Diá de Muertos</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> in Mexiko und Allerseelen bzw. Totensonntag in Europa sind Zeugnisse für eine gelebte, kollektive Memorialkultur.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Archäologisch lässt sich davon nur wenig fassen. Eine Art von Ahnenverehrung ist möglicherweise hinter den modellierten und teilweise zusätzlich dekorierten Schädeln zu vermuten, die in Anatolien und der Levante von ca. 7000–6000 v. Chr. auftraten. Es ist anzunehmen, dass sie nach dem natürlichen Verwesungsprozess den Gräbern entnommen und dann bearbeitet sowie geschmückt worden sind. Wurden sie intern aufbewahrt oder stellte man sie öffentlich aus? </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Der Leichenschmaus im Rahmen der Beerdigung, in deren Nachgang oder alljährlich abgehalten, ist auch Bestandteil der gemeinsamen Erinnerung. Trink- und Essgeschirr in und bei Gräbern werden als Hinweise auf solche Mahlopfer gedeutet. Die ab dem 5. Jahrtausend v. Chr. in vielen Teilen Europas auftauchenden Megalithgräber zeugen eventuell von einem Totenkult dieser Art. Die in den Gräbern verstreuten Keramikfragmente könnten als Überreste dieses Gedenkens angesehen werden. Auch in den frühchristlichen Katakomben von Rom, wo mehrere Märtyrer, Bischöfe und Päpste beigesetzt wurden, hielt man Versammlungen zum Totengedächtnis ab, die mit einem Totenmahl verbunden waren. </SPAN></SPAN></DIV></div>
HTMLText_05D2D15F_04B4_344C_4185_B9AE1E7EBD21.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die Wikinger faszinieren bis heute. In der ca. 250 Jahre andauernden Wikingerzeit (ca. 800 bis 1050) bestimmten die Nordmänner das Geschick in Nordeuropa. Sie gründeten Siedlungen an den Küsten von der Nordsee über die Ostsee bis zum Ladogasee im heutigen Russland. Diese Orte waren Dreh- und Angelpunkte für den regionalen und überregionalen Handel von Menschen und Waren aus der damals bekannten Welt. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Obwohl der Wikingerbegriff keine Ethnie bezeichnet, werden damit in der heutigen Wahrnehmung klischeehaft hünenhafte blonde Menschen von skandinavischer Herkunft verbunden. Heute ist man sich der Diversität ihrer Herkunft ebenso bewusst, wie der Vielfalt ihres Wirkens. Sie waren Krieger, Kaufleute, Entdecker, Seefahrer, Piraten, Räuber, Handwerker und Bauern zugleich. Sie vereinten Gewaltbereitschaft mit diplomatischem Geschick und Friedfertigkeit.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Dennoch, der Mythos der Wikingerkrieger und die damit verbundenen Stereotypen leben bis heute fort. Wer kennt sie nicht, die Geschichten von  </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="http://www.hagardunor.net/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Hägar dem Schrecklichen</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">  und seine Familie? Die in dem Comicstrip vermittelten Geschlechterrollen lassen viele Leute schmunzeln: Zu Hause hat der gefürchtete Krieger nichts zu sagen, dort hat seine Frau Helga die Hosen an und seine Tochter überlegt, anstatt zu heiraten, selbst Kriegerin zu werden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Wie waren aber die gesellschaftlichen Strukturen im Norden Europas, welche Rechte und Pflichten hatten die Frauen der Nordmänner? Hatten sie mehr zu sagen und zu entscheiden als ihre Geschlechtsgenossinnen in den anderen Regionen Europas? Frauengräber mit Waffen, wie die Bestattung Bj 581 von Birka (Schweden) gedeutet wird, sorgen jedenfalls für kontroverse Diskurse über Kriegerinnen in der Wikingerzeit.</SPAN></SPAN></DIV></div>
HTMLText_EE6B2DDF_8E41_8DDB_41C0_A266D6E99D01.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die entwickelten Kampftechniken der Awaren basieren auf einer Innovation: den Steigbügeln. Sie ermöglichten einen besseren Halt im Sattel beim Nahkampf zu Pferd. Das Pferd im Grab 64 war voll aufgeschirrt, die Lederriemen mit vergoldeten Metallbeschlägen verziert. Die typischen Seitenknebel der eisernen Trense fehlten ebenso wie Hinweise auf einen Sattel. Sie waren vermutlich aus organischem Material, wie Holz und Leder gefertigt und blieben in der Erde nicht erhalten. </SPAN></SPAN></DIV></div>
HTMLText_06BB46E0_778E_AAEE_41AD_34FA20E620E4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Eine Waffenausrüstung ist ein kostbares Privileg und kam nur selten bzw. nicht vollständig mit ins Grab. Daher fällt das reiche Repertoire aus dem Grab Bj 581 auf. Es gab darin zwei Schilde, einen Langbogen mit Pfeilen, ein Schwert mit Streitaxt und einen Speer. Hinzukommen die zwei aufgeschirrten Pferde und das Steigbügelpaar. Damit hätte man sogar zwei berittene Krieger ausrüsten können… </SPAN></SPAN></DIV></div>
HTMLText_062C6663_07EC_1C75_418A_D4EC32A4E9EC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Eingebettet in eine Vielzahl tradierter Riten fand im September 2022 die Beisetzung von Königin Elizabeth II. statt. Abertausende säumen die Straße und erweisen der Verstorbenen ihre Ehre auf dem Weg von der Westminster Hall über die Westminster Abbey hin zur Familienkapelle. Dieses Ereignis veranschaulicht, dass Trauerrituale nicht nur für das bestattete Individuum und die Angehörigen, sondern auch für die Zuschauenden von essenzieller Bedeutung sind und zwar unabhängig von Kultur und Zeit. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Doch endet unser Umgang mit den Toten nicht mit der Bestattung. Staatsbegräbnisse wie jenes sind identitätsstiftend, indem sie von jeher die verstorbenen Herrscher*innen in der kollektiven Erinnerung verankern. In den Jahrtausenden der Menschheitsgeschichte finden sich immer wieder Manifestationen einer Memorialkultur, die sich in Form von Grabbauten, Denkmälern, Gedenkorten und Friedhöfen, wo sich die Lebenden, zum Nachdenken stimuliert,  begegnen. </SPAN></SPAN></DIV></div>
HTMLText_C6F01AA9_9E72_5BEF_41E2_CD20964332AE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Finger- und Ohrringe sind in awarenzeitlichen Bestattungen sowohl bei Frauen als auch bei Männern zu finden. Für Letztgenannte liefert das Grab 64 von Gyenesdiás ein interessantes Beispiel. Da die Fingerringe an den Fingerknochen, die Ohrringe rechts und links neben dem Schädel lagen, ist davon auszugehen, dass sie auch getragen wurden. Fingerringe desselben Typs fanden sich aber bisher nur in Frauengräbern, wie im nahegelegenen Keszthely-Fenékpuszta. Auch die Ohrringe mit schwingenden Anhängern lassen sich meist bei Frauen nachweisen. Für Männer sind andere Formen typisch und nicht nur paarweise sondern auch als Einzelstück getragen. Die goldenen Exemplare, wie in Gyenesdiás, finden sich in den zeitgleichen reichen Beisetzungen mit Waffen, wie in Kunpeszér oder Igar (beide Ungarn). Einige der dortigen Gräber lassen sich auch in weiteren Details mit Gyenesdiás vergleichen. Neben einer Pferdebestattung mit Steigbügel erhielten sie nämlich Säbel, Gürtel und Reflexbögen. Was in Gyenesdiás zu fehlen scheint, sind hingegen metallene Zopfspangen. Sie kommen paarweise und nur bei Männern ab dem letzten Drittel des 7. Jhs. vor. Sie werden mit der schriftlich überlieferten langen Haartracht der awarischen Männer in Verbindung gebracht.</SPAN></SPAN></DIV></div>
HTMLText_CFDAF0C7_8E47_922B_41A0_5F8795F869C3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Frau oder Mann? Diese Frage stellt sich bei jeder Ausgrabung, wenn Gräber zum Vorschein kommen und schließt nichtbinäre Geschlechtsidentäten aus. Die Antwort ist tatsächlich nicht  immer einfach. Menschliche Überreste liefern je nach Erhaltung mitunter keine eindeutigen Hinweise auf das biologische Geschlecht – englisch </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>sex</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> – eines Individuums. Liegen jedoch Objekte im Grab, scheint die Antwort einfacher zu sein. Lange betrachteten Archäolog*innen Gräber als „Spiegel des Lebens“ und glaubten, dass Grabfunde das soziale Geschlecht – englisch </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>gender</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> –, den Status oder gar die Herkunft der Toten verraten. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Grabbeigaben lassen sich auf den ersten Blick männlichen oder weiblichen „Sphären“ zuordnen: Waffen und Statusobjekte gehören zu Männern, Schmuck und Haushaltsobjekte zu Frauen. Manche Artefakte sind aber in den Gräbern aller Geschlechter  vertreten und kommen auch bei Kindern vor. Darüber hinaus müssen das biologische Geschlecht und die Objekte im Grab nicht in direktem Zusammenhang zueinander stehen. Daher spricht man heute eher von der „Zerrspiegelung des Lebens“. Die Objekte im Grab bilden demnach keine Realität per se ab. Sie sind vielmehr als Teile einer Inszenierung zu verstehen, die die idealisierten Vorstellungen einer bestattenden Gemeinschaft wiedergeben. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Was bewegte also die Menschen, die ihre Toten ins Jenseits begleiteten, zu der Auswahl der Objekte bei der Gestaltung des Grabes? War das Geschlecht überhaupt entscheidend dabei? Die</SPAN><SPAN STYLE="font-size:16px;font-family:'Times New Roman', Times, serif;"> </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>Message of Gender </I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">zu entschlüsseln, ist eine Herausforderung, im Rahmen derer man sich auch mit stereotypen Geschlechterbildern auseinandersetzen muss. Die Schau soll zeigen, wie Archäolog*innen beeinflusst von den Vorstellungen ihrer Zeit Ge(schlecht) verstehen.</SPAN></SPAN></DIV></div>
HTMLText_A9031C88_9D95_BFAD_41C4_B9D9738817A4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Für die Bestattung des Mannes im Grab 64 von Gyenesdiás hat man großen Aufwand betrieben. Mit 2,6 m Länge, 1,8 m Breite und über 2 m Tiefe handelt es sich um das größte und tiefste Grab der Nekropole. Der Tote wurde in einem Holzsarg an der Nordseite der Grube beigesetzt, südlich daneben legte man sein Pferd nieder. Über dem Kopf und den Vorderbeinen des Pferdes platzierte man ein Ziegenfell mit Schädel und Beinknochen des Tieres. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Der Mann wurde reich ausgestattet: auf seine Taille legte man einen unverschlossenen, mit vergoldeten Beschlägen verzierten Gürtel, links von ihm lag ein Säbel und rechts von ihm ein Dolch. An seinen Fingern trug er zwei goldene Ringe und in den Ohren steckten goldene Ohrringe. Der Bogen, zerbrochen, und ein Köcher mit Pfeilen waren je zu beiden Seiten des Pferdes positioniert. Das Pferd war voll aufgeschirrt, die Riemen schmückte man mit vergoldeten Zierbesätzen. Rechts und links vom Pferderücken lag je ein eiserner Steigbügel. Neben den zeittypischen Beigaben hilft vor allem eine römische Goldmünze, den Zeitpunkt der Beisetzung zu bestimmen. Das Stück legte man dem Toten als Obolus in den Mund, als man ihn im letzten Viertel des 7. Jhs. n. Chr. ins Jenseits verabschiedete. </SPAN></SPAN></DIV></div>
HTMLText_BFB1EC90_9E89_FF4F_41C2_4A0E9BDECE3A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">In den Nekropolen der römischen Provinzen finden sich Schmuckgegenstände besonders zahlreich in Bestattungen von Mädchen und jungen Frauen. Die Anzahl der schmückenden Beigaben nahm während des 4. Jhs. n. Chr. zu, als Körperbestattungen die vorherrschende Bestattungssitte waren. Gerade Armreife aus Metall waren eine beliebte Beigabe und wurden zuweilen in großer Zahl mit ins Grab gegeben. Eine 18–20 Jahre alte Ratzersdorferin trug z. B. gleich zwölf Stück. In Frauengräbern anderer römischer Nekropolen finden sich sogar bis zu 20 Armreife! Auffällig ist dabei, dass diese vorzugsweise am linken Arm getragen wurden. Stellte man damit die hohe Wertschätzung gebärfähiger Frauen dar?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Neben den Armreifen finden sich in den Gräbern auch Ohr- und Fingerringe sowie Haar- und Halsschmuck. Große Beliebtheit besaßen ein- bis zweireihige Perlenketten, meist aus buntem Glas. Seltener und wertvoller waren Perlen mit Goldfolienüberzug oder aus Bernstein. Eine kunstvoll hergerichtete Frisur konnte ebenfalls Teil der weiblichen Aufmachung sein. Darauf weisen neben bildlichen Darstellungen auch Funde von Haar- und Haubennadeln sowie mit Gold und Perlen besetzte Haarnetze hin. </SPAN></SPAN></DIV></div>
HTMLText_BE9F8DE1_9DF6_B99F_41D2_AD9164A7AF70.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Kaum etwas anders gilt mehr als Symbol und Beleg für Männlichkeit als Waffen. Waffen zu tragen und zu führen, symbolisiert Freiheit und Kraft. Mit dem Kriegertum verbunden, bilden Anführer und Gefolgschaft ein besonderes Bündnis, das auf Treue und Ehre beruht. Diese Vorstellungen auf Frauen zu übertragen, hat die patriarchisch bestimmte Gesellschaftsordnung bereits in der Antike sprichwörtlich auf den Kopf gestellt. Die Amazonen, die legendären Kriegerinnen der Antike, waren schöne und gefürchtete Gegnerinnen zugleich. Sie galten als furchtlos und wagemutig und werden auch als berittene Kriegerinnen dargestellt. Antike Quellen verorten sie an verschiedenen Gebieten um das Schwarze Meer herum. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Sowohl ihre Herkunft als auch ihre Kampfart zu Pferd verbindet sie mit Reiterkriegern bzw. Reiternomaden, wie den </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Skythen" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Skythen</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Sarmaten" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Sarmaten</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Alanen" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Alanen</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">, </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Hunnen" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Hunnen</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> oder auch </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Awaren" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Awaren</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">. Der Begriff „Reiternomade“ umschreibt aber vor allem eine spezifische Lebens- und Kampfweise. Sie beruht auf Mobilität zu Pferd, die durch den Weidenwechsel von Tierherden bestimmt wird. Die dabei vorherrschende Jagd-, bzw. Kampfwaffe ist der Bogen, den man auch vom Sattel aus einsetzen kann. Als die Hunnen und Awaren im mittleren Donauraum erschienen, beinruckten sie mit ihrer „skythischen Taktik“ ihre Gegner. Die awarischen Reiter verließen sich aber nicht allein auf den Fernkampf mit Pfeil und Bogen. Ihre gepanzerten, ebenso mit Schwert und Lanze ausgerüsteten Reiter waren sogar bei den Byzantinern geschätzt und gefürchtet. </SPAN></SPAN></DIV></div>
HTMLText_9D8B76E9_BDFB_1A7A_41C4_2A6DA878EC5C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ketten aus bunten Glasperlen sind vor allem als Begleitobjekte von Baiuvarinnen in den Gräbern zu finden. Bei Männern treten sie auch auf, aber nicht in so großer Anzahl. Häufiger scheinen die männlichen Perlenträger jung zu sein. Sollten die Perlen Unheil abwehren? In Taschen aufbewahrt könnten sie den Männern bzw. Knaben auch als Erinnerungsstücke, Wertobjekte oder Spielzeuge gedient haben. Aus zeitgleichen awarischen Männergräbern kennt man Perlenbeigaben am Hals ebenfalls, aber nur ein bis drei Stück, wobei das Alter der Verstorbenen hier keine Rolle gespielt zu haben scheint. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Der Mann in Grab 26 von Straubing-Bajuwarenstraße war nicht mehr jung. Im Grab eines anderen, im Alter zwischen 25–30 Jahren verstorbenen Mannes aus dem südbayerischen Sindelsdorf, fand man neben Perlen und einem Kamm eine Nadel am Kopf. Wären diese Individuen anthropologisch als Frauen bestimmt worden, gäbe es keinen Zweifel, dass sie die Perlen einst als Kette oder Kleidungszier trugen. Bei Männern bleibt man aber skeptisch. Bewahrten sie die Objekte einst in einer Tasche auf oder trugen sie sie tatsächlich am Körper? Möglich wäre auch, dass man sie erst dem Toten anlegte, sie also zu Lebzeiten nicht getragen worden waren. Bernsteinperlen, wie in Straubing, zeugen jedenfalls von besonderem Wert und sind auch in Frauenbestattungen eine Seltenheit. </SPAN></SPAN></DIV></div>
HTMLText_F2B354A2_8E41_B265_41A5_B0C3B8343374.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Man muss sich das wikingerzeitliche </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://historiska.se/birka/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Birka</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> (8.–10. Jh. n. Chr.) als einen aufregenden Ort vorstellen. Seinerzeit ein bedeutendes Handelszentrum auf der Insel Björkö, Uppland, im östlichen Mittelschweden, bestimmten das rege Treiben von Händlern, das geschäftige Tun von Handwerkern und ein stetiger Strom einer interessierten Käuferschaft den dortigen Alltag. Schiffe, die von der Ostsee in die Gewässer des Mälarsees steuerten, brachten diverse weitgereiste Güter mit. Vor allem der Pelz- und Bernsteinhandel boten eine sichere Einnahmequelle für lokale Kaufleute. Der Reichtum Birkas strahlte auch auf die nördlich gelegene Insel Adelsön in Hovgården aus, wo ein Kungsgården (königlicher Sitz) und mehrere Hügelgräber lokalisiert wurden. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Bereits nach zwei Jahrhunderte war Birka trotz der vorteilhaften Lage und Nähe zu Königshöfen, nur noch ein Schatten seiner selbst. Die Gründe für den Bedeutungsverlust sind umstritten. Es könnte mit den Plünderungszügen dänischer Wikinger nach Svealand ebenso zusammenhängen, wie mit der Gründung der neuen Stadt Sigtuna auf dem Festland. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Dieser dynamische Austausch an Waren und Menschen zeigt sich nicht nur in den hier geborgenen Funden, sondern auch in der Vielfalt der Bestattungspraktiken. Sie spiegeln die weitreichenden Netzwerke der Bevölkerung von Birka wider. Neben nordischen Einflüssen verraten die Objekte Verbindungen nach West- und Osteuropa bis nach Byzanz. Das Grab Bj 581 mit seinem ganzen Reichtum ist ein hervorragendes Beispiel dafür.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_9AF59FB0_05AC_2CD4_4186_5A7A14C79ADD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Menschen haben seit jeher das Bedürfnis, sich mit Kleidung und Schmuck auszudrücken und zu verschönern. Mit und durch Schmuck lässt sich soziale Zugehörigkeit, Status und Reichtum, doch auch die eigene Individualität zur Schau stellen. Dabei werden Frauen als „Schmuckträgerinnen“ in der Öffentlichkeit oft wesentlich präsenter als Männer wahrgenommen. So auch in der Antike. Für diese Zeit sind Diademe, Haarnadeln und -netze, Ohrringe, Halsketten, Armreife und Fingerringe aus Gold und Silber, mit Edelsteinen oder Perlen besetzt, kostbare Zeugnisse für das jeweilige soziale Selbstverständnis. Überlieferte bildliche Darstellungen zeigen, wie auffällig geschmückt Frauen zuweilen auftraten und damit Reichtum und Prestige, auch das ihrer Familien, zum Ausdruck brachten. Es gab allerdings auch puritanische Stimmen, die Schmuck und seine übertriebene Zurschaustellung nicht guthießen: „So viel kosten uns Luxus und Frauen“, beklagte sich Plinius der Ältere im 1. Jh. n. Chr. Er verwies damit auf den Perlenhandel, der seine großen Gewinne der Sucht der Damenwelt Roms nach dieser Ware verdankte.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Auch weniger gut betuchte Frauen der römischen Provinzen besaßen das Bedürfnis, sich mit schönen Dingen zu „behängen“. Ihr Schmuck war allerdings meist schlichter, aus Bronze oder Glas gefertigt, wie jener der schwanger verstorbenen Frau aus Grab 1 von Ratzersdorf. Nichtsdestotrotz fällt ihr Beigabenensemble durch seine Zusammensetzung und die Seltenheit mancher Stücke im Vergleich zu vielen anderen Gräbern in ihrer Umgebung  auf.  Was steckt dahinter? Was wollte man dadurch ausdrücken? </SPAN></SPAN></DIV></div>
HTMLText_D85AF18B_8FC1_B23A_41C8_6C223F1881AE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Messer sind nicht die einzigen Geräte, die man verstorbenen Frauen in römischer Zeit mit ins Grab gab. Neben Spiegeln oder Lampen waren besonders Kämme gefragt. Sie wurden aus Holz oder Bein gefertigt. Darüber hinaus sind Spinnwirtel und Spinnrocken bei Frauen belegt. Sie dürften im Grab weniger als Arbeitsgeräte, sondern vielmehr als symbolische Beigaben gedient haben. Der Spinnrocken war in der antiken Mythologie ein Attribut der Lebensfaden spinnenden Schicksalgöttin </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Klotho" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Klotho</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">.</SPAN></SPAN></DIV></div>
HTMLText_DC36D771_8FC0_9EE6_41B2_16A9C2F4BA2A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Messer sind scharf und eignen sich als Waffe. Daher versteht man sie oft eher als männliche Attribute und erwartet sie kaum im Grab einer schwangeren Frau. Ein Blick in römische Gräber zeigt, dass diese Geräte – wie Ahlen, Feuerschläger oder Scheren – zwar häufiger neben Männern zu finden sind, jedoch auch bei Frauen belegt sind. Frausein war also nicht nur „Schmuck”. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Wofür das Messer der schwangeren Frau aus Ratzersdorf dienen sollte, können wir nur vermuten. Manche Messer waren in Stoff eingehüllt – wurden sie für den Übergang ins Jenseits „unsichtbar” gemacht? Ethnografische Vergleiche mit den indigenen Iban auf der südostasiatischen Insel Borneo zeigen, dass Messer in Gräbern die Trennung der Toten von den Lebenden symbolisieren können. Trifft dies womöglich auch auf unser Grab zu und steht für den unerwarteten, wohl abrupten Tod der jungen Frau und ihres ungeborenen Kindes? </SPAN></SPAN></DIV></div>
HTMLText_AA1F0A1B_05FC_37D5_4171_A89FABBD5730.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Nach der Ausgrabung konnten die Skelettreste von ca. 80 Menschen anthropologisch untersucht werden. Demnach wurden genauso viele Frauen wie Männer im Ratzersdorf während des 4. und 5. Jhs. n. Chr. bestattet. Die Männer starben meist zwischen 40 und 60 Jahren, die Frauen – oft wegen Komplikationen durch eine Schwangerschaft – bereits als Jugendliche oder im jungen Erwachsenenalter. Die durchschnittliche Lebenserwartung betrug keine 25 Jahre! Viele Menschen litten an Mangelernährung und Entzündungen, vor allem im Kopfbereich, die häufig zum Tod führten. Wir müssen uns vor Augen halten, dass hygienische Bedingungen und medizinische Versorgung damals deutlich schlechter waren als heute.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Die Untersuchung des Schädels der schwangeren Frau ergab Hinweise auf die Todesumstände: Es ist wahrscheinlich, dass sie mehrfach am Kopf geschlagen wurde und ein letzter Hieb womöglich ihr Leben und das ihres Babys beendete. Der Nachweis eines gewaltsamen Todes ist in den römischen Grenzprovinzen nicht ungewöhnlich. Aus dem 4. Jh. kennen wir u. a. auch Massengräber, in denen im Rahmen gewaltsamer Konflikte Getötete, darunter auch Frauen und Kinder, verscharrt worden sind.  </SPAN></SPAN></DIV></div>
HTMLText_C3086595_8E40_722F_41DA_62B2F1635DC2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Neben dem Umgang mit dem Körper ist die Grabgestaltung ein wesentlicher Teil des Bestattungsablaufs. Dieser Gestaltungsprozess hängt ebenfalls von Traditionen und Riten ab, auch die Auswahl der Kleider und Objekte unterliegt einer bewussten Selektion. Inwiefern die Bestattung mit all ihren Elementen Geschlecht, Status oder persönliche Verdienste des/der Verschiedenen verbildlicht und/oder auch bewusst inszeniert bzw. „zerrspiegelt“, ist schwer zu entschlüsseln. Auch heute werden Gegenstände noch in oder auf das Grab niedergelegt. Für Außenstehenden sind deren Bedeutungen nicht immer eindeutig erschließbar. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">In manchen Kulturen sollten die Beigaben den Verstorbenen für die Reise und Existenz im Jenseits mit allem Notwendigen ausrüsten. In Ägypten finden sich beispielsweise zahlreiche Hinweise für diese Vorstellung. Die im Grab eines königlichen Beamten gefundenen Modelle sprechen für sich: Das Boot zeigt seine Reise – im Schatten einer Kabine sitzend und eine Lotusblume haltend – ins Jenseits; der Speicherbau steht für seine Versorgung im Jenseits. In den vor- und frühgeschichtlichen Gräbern Europas sind häufig auch Gefäße und Behälter zu finden, die wohl Speisen und Getränke enthielten. Der einstige Inhalt lässt sich nur selten bestimmen. Bei einem bronzezeitlichen Mädchengrab in Egtved (Dänemark) fand man – dank der guten Erhaltung – ein Birkengefäß, das wohl mit einem bierähnlichen Getränk gefüllt war. </SPAN></SPAN></DIV></div>
HTMLText_DDF255CF_8FC1_B23B_41D7_FF3F8B1A52CB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Neben den beiden Armringen am linken Arm, fand man im Grab der schwangeren Frau weiteren Schmuck. Rechts des Schädels lag ein Ohrring – hat sie ihn einzeln getragen oder hat sich der zweite nicht erhalten? Ihr Halsschmuck bestand aus grünen Glas- und Bronzeperlen, die über bronzene Glieder miteinander verbunden waren. Wenn man genau hinsieht, erkennt man an einigen Kettenteilen sogar noch textile Reste der Totenbekleidung, vielleicht des Obergewands oder eines Schleiers. Auffällig ist in diesem Zusammenhang, dass die am Körper getragene (Toten-)Kleidung erwachsener Frauen und Kinder im spätrömischen Noricum oft von feinerer Qualität war als jene der Männer.</SPAN></SPAN></DIV></div>
HTMLText_05911E5D_04B4_2C4C_4191_165E20F7AB93.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Noch bis vor kurzem galt eine Schwangerschaft als lebensbedrohlicher Zustand mit einer beängstigend hohen Sterblichkeitsrate. Seltene Darstellungen von Gebärenden mit  Hebammen galten in der Römerzeit als positive Bilder, um Frauen die Angst vor der Geburt zu nehmen. Im alten Testament werden erfolgreiche Schwangerschaften auf die Unterstützung durch das Göttliche zurückgeführt – der Körper bildet einen Kanal, durch den Gott als Töpfer ein neues Leben erschafft (Hiob 10,9). </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Wie wurde dieser Zustand von Außenstehenden wahrgenommen? Warf die ständige Nähe zum Tod einen furchterregenden Schatten auf werdende Mütter und ihre Umgebung? Die gesellschaftliche Wahrnehmung von Schwangerschaft bewegt sich von Verehrung, wie sie z. B. die Jungfrau Maria verkörpert, bis hin zu Angst und Ächtung. Letztere erfuhren vor allem Frauen, die außerhalb der Ehe schwanger wurden, wie in der Geschichte von </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://en.wikipedia.org/wiki/Hester_Prynne" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Hester Prynne</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> aus dem 19. Jh. verdeutlicht. Man mag es kaum glauben, dass schwangere Frauen in allen  Kulturkreisen</SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><B> </B></SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://theconversation.com/pregnant-women-are-at-increased-risk-of-domestic-violence-in-all-cultural-groups-95048" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>(noch) heute</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> einem erhöhten Gewaltrisiko ausgesetzt sind.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Dennoch bietet nicht nur die Medizin inzwischen mehr Sicherheit, Schwangerschaft und Geburt heil zu überstehen. Auch die Rechte von Ungeborenen und werdenden Müttern finden mehr Beachtung. Aktuelle Fälle verdeutlichen jedoch, welche Gradwanderung es bedeutet, die Rechte beider Seiten zu schützen. </SPAN></SPAN></DIV></div>
HTMLText_E95B35F9_8E40_BDE7_41D7_FE8A0435E5F0.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Reiternomaden der eurasischen Steppe waren auf vielfache Weise mit ihren Pferden verbunden und von ihnen abhängig. Pferde sicherten Mobilität, begleiteten bei der Jagd und beim Kampf, sie waren Lastträger und Lieferanten von Stutenmilch, Fleisch und Fell. Je nach Rasse und Alter besaßen sie einen hohen Wert und wurden als Handels- und Prestigegüter weitergereicht. So verwundert es nicht, dass Pferde häufig in Gräbern belegt sind. Sie können als Begleiter der Verstorbenen ins Jenseits und zugleich als Gabe der Gemeinschaft an den Toten gesehen werden. Als eine Art Privileg, das nicht jedem zugestanden wurde. Neben ganzen Tieren sind auch partielle Bestattungen überliefert. Dabei wurde lediglich das Fell des Tieres, verbunden mit dem Schädel und den Extremitäten, mitgegeben. Verzehrte man die restlichen Teile des Tieres im Rahmen eines Leichenschmauses? </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ganze Pferde wurden häufig in dieselbe Grabgrube, aber getrennt vom Verstorben, gelegt, wie auch im Fall von Gyenesdiás. Vermutlich führte man die Tiere in die Grube, um sie dort erst zu töten. Bei sog. Stollengräbern deponierte man das Tier in der „Stolle“, einem an der Schmalseite der eigentlichen Grabgrube anschließenden Schacht, als würde es dort den Zugang zum Toten überwachen. Auch wenn für die Reiternomaden Pferdebestattungen als ein wichtiges Kennzeichen galten, ist nicht jeder Tote mit einem Pferd ein Reiterkrieger! Pferde sind nämlich auch in Gräbern von Frauen zu finden, selbst außerhalb reiternomadischer Kulturen. </SPAN></SPAN></DIV></div>
HTMLText_9152BBFD_B78D_3524_41E6_3A59F1192DC5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Schmuck dient nicht allein dem Schönsein, sondern auch der Schaustellung individueller und kollektiver Zugehörigkeiten. Hierbei stehen Frauen Männern in keiner Weise nach. Sie nutzten Fingerringe, Armringe oder Ohrringe auch, um damit Status und Reichtum zu vermitteln. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">So war beispielsweise in der Spätantike der „Habitus“ römischer Senatoren deutlich von neuen „barbarischen“ Eliten zu unterscheiden. Letztere trugen kurze </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Tunika" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Tunika</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">  und Waffen, die Senatoren hingegen eine lange </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Toga" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Toga</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> , die das römische Ideal schlechthin symbolisierte. Gold- und Edelsteinpracht war bei den Senatoren verpönt, bei den „neuen Römern“ hingegen sehr beliebt. Arm- oder Fingerringe, darunter Siegelringe aus Edelmetall, waren hingegen für beide Gruppen wichtige Accessoires. Auf einem Mosaik aus Ravenna sehen wir die männlichen Vertreter der römischen Oberschicht im 6. Jh. n. Chr.: Kaiser </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://de.wikipedia.org/wiki/Justinian_I." STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Justinian I.</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> ist mit edelsteinbesetztem Diadem und einem purpurnen Soldatenmantel dargestellt. Die Hofbeamten tragen – wie der Kaiser – lange, an der rechten Schulter mit Fibel zusammengehaltene Mäntel, die kirchlichen Würdenträger lange und die Wachsoldaten kurze Tuniken.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Der Mann in Grab 26 von Straubing-Bajuwarenstraße könnte ein Zeitgenosse Kaiser Justinians gewesen sein, gehörte aber zu den niedrigeren Bevölkerungsschichten der damaligen Zeit. Seine Bekleidung dürfte dem Darsteller aus dem </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.bajuwarenhof.de" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Bajuwarenhof  Kirchheim</B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> mit kurzer, gegürteter Tunika und Hose nahekommen. Ungewöhnlich sind lediglich die Perlen an seinem Hals: Trug er eine Kette oder zierten die Perlen den Kragen seines Gewands? </SPAN></SPAN></DIV></div>
HTMLText_832E4677_BCD9_1A56_41C3_4F1839DA6A24.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Schmuck dient nicht der Zierde alleine. Einigen Schmuckobjekten werden magische, unheilabwehrende Kräfte zugeschrieben, wie beispielsweise Bullen (lateinisch </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>bulla</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">). Diese runden oder zylindrischen, kapselförmigen Anhänger aus Edel- oder Buntmetall dienten als Behälter für verschiedene Objekte, Pflanzen oder Stoffe, die das Böse abwehren sollten. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">In der langen Nutzungszeit änderte sich vor allem der Kreis ihrer Träger*innen, die apotropäische Funktion blieb hingegen erhalten. Die Ursprünge der Bulla liegen in der etruskischen Welt, wo sie auf bildlichen Darstellungen sowohl bei Männern als auch bei Frauen der Oberschicht belegt sind. Bei den Römern hingegen dienten Bullen dem Schutz von Knaben aus vornehmen Familien. Die Jungen trugen sie zusammen mit einem mit Purpurstreifen verzierten Gewand, der </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>toga praetexta</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">. In einer Zeremonie, die den Übergang in die Erwachsenenwelt manifestierte, wurde das Gewand der Jugend gegen die </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>toga virilis</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> getauscht und das Schutzamulett abgelegt.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Ab der Spätantike finden sich die kleinen Kapseln immer öfter in Frauen- und Mädchengräbern und im Frühmittelalter sind sie fast ausschließlich ein Attribut weiblicher Trägerinnen. Ein charakteristisches Beispiel stellt die Frauenbestattung  aus </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.yorkmuseumstrust.org.uk/blog/celebrating-ivory-bangle-lady/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:16px;font-family:'Corbel';"><B>Sycamore Terrace </B></SPAN></A></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> (York, England; 4. Jh. n. Chr.) dar, die neben einer silbernen Bulla eine Knochenplatte mit christlicher Inschrift verbarg. Auch auf Ketten sind solche Kombinationen zu sehen: Bullen kommen neben Anhängern mit christlicher Symbolik vor.</SPAN></SPAN></DIV></div>
HTMLText_0619EADB_07B4_1455_4184_4B659576BB7E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Waffen, Pferde und ein taktisches Denken verlangendes Spiel… Diese Attribute werden mit Männern verbunden und das nicht nur innerhalb des wikingerzeitlichen Milieus. Es gibt eine Reihe von Bestattungen, auch aus früheren Zeiten, die solche Belege liefern. Das Repertoire der Ausstattung zeigt gewisse Ähnlichkeiten über die Jahrhunderte hinweg. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Eine solche Bestattung aus der zweiten Hälfte des 3. Jhs. n. Chr. kam in Gommern (Sachsen-Anhalt) zum Vorschein. Die als „Fürstengrab“ bekannte Entdeckung erhielt die Überreste eines hochgewachsenen Mannes, der im Alter von ca. 30 Jahren starb. Er wurde in einer großen Holzkammer beigesetzt. Es gibt auch weitere Parallelen zu Birka: Der Tote bekam ein Sporenpaar und ein Brettspiel mit Spielsteinen mit ins Grab. Obwohl in zeitgleichen Gräbern Mitteldeutschlands Waffen im Grab fehlen, fand man in Gommern einen reich bemalten Schild mit einem silbernen Schildbuckel , ebenso wie drei Pfeilspitzen aus Silber, die eher einen symbolischen Wert besaßen. Weitere Angriffswaffen, wie z. B. ein Schwert, fehlten. Es gab aber eine Reihe weiterer Objekte, die die besondere Stellung der hier bestatteten Person untermauern: Er trug einen Halsring und einen Fingerring aus Gold, die Fibel und Gürtelbeschläge waren ebenfalls aus Edelmetall. Zudem enthielt das Grab eine Vielzahl römischen Tafelgeschirrs wie Kessel, Eimer, Glasgefäße und eine Kelle-Sieb-Garnitur sowie einen beschlagenen Holzeimer und einen Bottich, die als lokale Produkte gelten. </SPAN></SPAN></DIV></div>
HTMLText_B3008E52_9D92_7ABD_41D6_F47F2219915A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">„Die ganze Stadt lief zusammen um sie zu betrachten, da man ein solches Volk noch nie gesehen hatte. Denn sie trugen ihre Haare hinten ganz lang, gebunden mit Bändern und geflochten, während die übrige Tracht jener der Hunnen ähnlich war“.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">So berichtet der antike  Geschichtsschreiber Theophanes über die erste awarische Gesandtschaft in Konstantinopel im Jahre 558 n. Chr. Diese Awaren stellten sich dem Kaiser als </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>„</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">unbesiegbar</SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>“</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> und als das </SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>„</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';">tapferste aller Völker</SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"><I>“</I></SPAN><SPAN STYLE="font-size:16px;font-family:'Corbel';"> vor. Kaum 10 Jahre später beherrschten sie bereits große Gebiete im mittleren Donauraum in unmittelbarer Nachbarschaft zu Byzanz. Auch wenn wir wenig über ihre Herkunft wissen, verraten die wenigen Namen und Amtsbezeichnungen einen zentralasiatischen Ursprung. Ihre Anführer nannten sie Khan, ihr Reich Khaganat. Den Awaren gelang es, ihre militärischen Erfolge auch längerfristig zu sichern und im Karpatenbecken bis in das frühe 9. Jh. an der Macht zu bleiben. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:16px;font-family:'Corbel';">Archäologisch lassen sich die Awaren überwiegend durch Gräberfelder fassen. Die zahlreichen Grabbeigaben, verbunden mit unterschiedlichen Bestattungssitten, deuten auf eine multikulturelle Zusammensetzung der awarenzeitlichen Gesellschaft hin. Das Gräberfeld von Gyenesdiás liegt am nördlichen Ufer des Plattensees in Ungarn. Die ersten Gräber dort wurden um 630 n. Chr. angelegt, das Areal nutzte man aber noch über die folgenden zwei Jahrhunderte als Ruhestätte. Beim Grab 64 handelt es sich um eine der reichsten Beisetzungen in der Nekropole. Allein das Grab 5, in dem ebenfalls ein Mann und ein Pferd lagen, lässt sich damit vergleichen.</SPAN></SPAN></DIV></div>
HTMLText_0B24BE44_C6E5_A875_41C8_B65D325D0152.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ E.4.1.5 ]</B></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Objektgruppentext</SPAN></SPAN></DIV></div>
HTMLText_A66DF0C1_C73E_B86F_41DE_AFE466E2CF14.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.2.1.4 ]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur?</B></SPAN></SPAN></DIV></div>
HTMLText_D2F917BC_F44E_C64E_41E4_47A81FD0481D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.2.1.6 ]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Objektgruppentext</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_B542641D_F452_5A49_41C9_8A5B7A298E45.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.2.1.6 ]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Objektgruppentext</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2F67F3F3_36C0_57E5_4187_ED1303B4287B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.3.1.3 ]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.3.1.3 ]</B></SPAN></SPAN></DIV></div>
HTMLText_605704BA_C763_F812_41E8_E55B66C14C00.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.3.1.5 ]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Objektgruppentext</SPAN></SPAN></DIV></div>
HTMLText_0B554D83_C723_68F3_41E0_620EF69B6EB8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.4.1.4 ]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur?</SPAN></SPAN></DIV></div>
HTMLText_9CCDBCF8_F4D6_CBD6_41C8_436D3B2F8F3A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.4.1.6 ]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_1F4F136E_C6E3_5832_41DF_C9522D46242A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.4.1.6 ]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Objektgruppentext</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_1EBF21DC_C922_F816_41C3_6309E5A96669.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.4.1.7 ]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.4.1.6 ]</B></SPAN></SPAN></DIV></div>
HTMLText_FBEFFD23_C992_607E_41D6_3ADF8C2CD1E9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.5.1.4]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	&gt;3000 Gräber in Birka bekannt → ca. 1100 ergraben → Palette an Gräber von Überausstattung hin zu dürftiger Ausstattung (Kammer- u. Sarggräber, Erd- u. Brandbestattungen)</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	eines der größten bekannten Grabkonglomerate der Wikingerzeit</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Annahme männl. Individuum basierend auf Beigaben</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	um Mitte 2010er herum erneut osteologische Untersuchungen (im Rahmen d. “People in Transition”-Projektes)</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Probleme: Knochenerhaltung im Malären-Tal generell eher schlecht + Fundkontexte z.T. durcheinandergeraten → z.B. Kontextinfos auf Tüten/Kisten nicht immer übereinstimmend mit publizierten Daten von Arbman!, stellenweise Grabbezeichnungen beschriftet, die nicht existieren</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	um 2017 herum DNA-Analysen</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Ausgrabungen in Birka 1874-79, 1881, 1885 geleitet von Hjalmar Stolpe → wikingerzeitlich</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Material ging an Statens Historiska Museum, Stockholm → blieb lange Zeit unbearbeitet, da Stolpe anderweitig tätig</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	1905 erstmals Bearbeitung durch Antiquar Gustaf Hallström → 1. Publikation 1913 → Arbeit daran nicht beendet</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	1931 erneut Beschäftigung mit den Funden durch Holger Arbman</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Stolpes Beschreibung d. Grabes Bj. 581 1889 in Wochenzeitschrift “Ny Illustrerad Tidning”</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	gibt Vermerk auf Plan von ihm, dass zuerst veröffentlichte Plan korrigiert werden muss</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	gibt 2 Pläne, die nicht übereinstimmen</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Funde stellenweise mit 581 signiert, obwohl nicht in Beziehung zum Grab stehend → Falschzuordnungen?!</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	erneute Auswertung in 1980er Jahren</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	&gt;100 Jahre Forschung zu Birka, aber nie Gesamtanalyse zum Gräberfeld</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	unvollständige anthropologische Untersuchungen von verschiedenen Forschern zu verschiedenen Zeiten → keine einheitlichen Standards</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	stellenweise Knochen von mehr als einem Individuum in Fundkisten → Vermischung d. Fundgutes während Einlieferung ins Statens Historiska Museum</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Stolpes Schlussfolgerung: Mann, wichtig, wohlhabend, in Verbindung zum Militär stehend</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Waffen waren Funktional (nicht unvollständig o rein zeremonial)</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Textiluntersuchungen: aus eurasischer Steppe bekannt, Anführer einer Kavallerie-Einheit</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	bis zu Ergebnissen d. DNA-Analysen immer wieder als männl. Individuum angesprochen</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Publikation d. DNA-Analysen warf erneut weltweit Rampenlicht auf Bj. 581 → einerseits Anregung d.  heutzutage heiß diskutierten Genderdebatte in Archäologie, andererseits “Wikinger-Kriegerin” beliebtes Motiv, erkennbar an Rezeption d. Wikinger in heutiger Popkultur</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Stolpe pionierhafter Einsatz archäologischer Dokumentation</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Bj. 581 selbst damals, ohne die ganze Debatte drumherum, hervorstechend → Stolpe: “perhaps the most remarkable of all the graves in this field”, basierend auf Ausstattung + Lage → kein Zweifel am “high-status warrior” mit hochwertigen Waffen, ohne häusliche Beigaben wie Werkzeugen o. auf landwirtschaftl. Tätigkeit verweisende Beigaben + Besonderheit vollständigen! Spielesets in Körpernähe</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	ab 1960ern vermehrt Darstellung als Archetyp eines Wikingers “Ultimativer Wikinger” d. 10. Jhd. </I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	heutige Berichterstattung: “Kriegerin von Birka”, “Schildmaid aus Birka” “Heldengrab für eine Frau” → sehr plakativ</I></SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:16px;font-family:'Corbel';"><I>-	Fragen: Neudefinition von Krieger? Gender in früheren Gesellschaften?</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.5.1.4]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_687160F0_F456_5BD7_418B_3ED7AFC34AE6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';"><B>[ Text E.5.1.6 ]</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Objektgruppentext</SPAN></SPAN></DIV></div>
HTMLText_1642BDB7_3BC4_5C22_41C5_3BCC4DDE0A7C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">[ Bereichstext ]</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0EC1D046_3CC4_4462_41C0_9F4D80AB38A1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">[ Bereichstext ]</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_1A56F144_3BCC_C466_41C6_03F0B7919178.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">[ Objektgruppentext ]</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_D445F775_CA30_9A58_41E3_88A43004DB71.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#999999;font-size:18px;font-family:'Corbel';">[ general description of finds ]</SPAN></SPAN></DIV></div>
HTMLText_C21FD017_D0B3_31A7_41E1_AB4D25D8960F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';"> Trense/Knebel und Riemenbeschlägedes Pferdegeschirrs</SPAN></SPAN></DIV></div>
HTMLText_0AAE19E7_3CCC_4422_4192_FDDD5827F0CA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Der Tod eines ist eine Zäsur, für alle Beteiligten. Mit ihm wandelt sich der Status einer Person. Totenrituale zur Verarbeitung dieses einschneidenden Erlebnisses spielen dabei seit jeher eine wichtige Rolle. Sie sollen der verstorbenen Person ihre neue Bedeutung und Identität verleihen. Zudem haben sie das Ziel, den Zusammenhalt der Gemeinschaft über den Tod einzelner Menschen hinaus zu gewährleisten. Die Behandlung des toten Körpers nimmt dabei eine zentrale Position ein und hilft den Hinterbliebenen, mit dem Verwesungsprozess umzugehen. Abhängig von den jeweiligen Jenseitsvorstellungen, fand dies ganz unterschiedlich statt. Um den Veränderungsprozess zu beschleunigen, wurden mitunter die Weichteile entfernt, der Tote verbrannt oder der Körper gar als Fraß für Tiere eingesetzt (Abb. Himmelsbestattung Tibet). Um die Auflösung der Weichteile zu verlangsamen oder zu stoppen, konservierte man den Leichnam, z. B. durch Mumifizierung (Abb. Mumie). </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">So oder so ist davon auszugehen, dass die verstorbene Person zunächst eine Zeit lang aufgebahrt wurde – um zu trauern, Abschied zu nehmen, doch auch, um den Übergang in eine neue Welt sicherzustellen. In dieser Zeit vor der Bestattung wurde der Tote oftmals rituell gewaschen, wie es heute noch im Islam oder Judentum Brauch ist (Abb. Waschung). Um dem Körper im Jenseits wieder Leben einzuhauchen, schminkte man im Alten Ägypten sogar das Gesicht. Mitunter wurden die Toten auch bemalt oder aufwendig geschmückt (Männergesicht mit Muschelbart und -augen und/oder bemalte Mumie).</SPAN></SPAN></DIV></div>
HTMLText_D6A3B0EF_C991_A1C6_41E1_B22A19F9C230.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Fragmentiert Vergleichskamm </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">( Statens historiska museer)</SPAN></SPAN></DIV></div>
HTMLText_812F5367_C727_B832_41E8_31A296203635.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Fruchtbar und idyllisch? Das </SPAN><SPAN STYLE="font-size:18px;font-family:'Corbel';"><B>untere Traisental</B></SPAN><SPAN STYLE="font-size:18px;font-family:'Corbel';"> Niederösterreichs mit seinen zahlreichen Naturschutzgebieten lädt nicht nur uns zum Verweilen ein. Seine fruchtbaren Lössböden sind seit tausenden Jahren gefragtes Siedlungsland. Auch die Traisen selbst dürfte als Wasserquelle und Transportweg Menschen angezogen haben, zumal das Tal zwischen dem 1.–5. Jh. n. Chr. ein grenznaher Raum im Römischen Reich war. Es verwundert daher nicht, dass Siedler sich an </SPAN><SPAN STYLE="font-size:18px;font-family:'Corbel';"><B>wichtigen Verkehrsverbindungen</B></SPAN><SPAN STYLE="font-size:18px;font-family:'Corbel';"> zwischen der römischen Stadt Aelium Cetium (heute St. Pölten) und dem nur einen Tagesmarsch entfernten Donaulimes niederließen. Ein erst kürzlich entdecktes </SPAN><SPAN STYLE="font-size:18px;font-family:'Corbel';"><B>spätrömisches Gräberfeld</B></SPAN><SPAN STYLE="font-size:18px;font-family:'Corbel';"> aus dem 4./5. Jh. n. Chr. im heutigen Ort Ratzersdorf zeugt davon. Ausgegraben wurden etwa 80 Gräber, darunter v. a. Körper- und nur wenige Brandbestattungen. Wo die Menschen, die hier bestattet wurden, ihre Häuser hatten und ihrem Alltag nachgingen, können wir im Moment nur vermuten. Allzu weit entfernt dürfte die Siedlung jedoch nicht gelegen haben. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:10px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Doch warum hat man sich nicht direkt am Fluss, sondern etwa 1 km entfernt in Hanglage niedergelassen? Ein Grund dafür war sicherlich die Traisen selbst, deren Name sich von der antiken Bezeichnung tragisama ableitet und „die schnell Fließende“ bedeutet. Tatsächlich besitzt die Traisen das größte Durchschnittsgefälle aller niederösterreichischen Voralpenflüsse! Bei Hochwässern kam es immer wieder zu verheerenden Verwüstungen. Eine Siedlung direkt am Fluss wäre daher nicht von Dauer gewesen.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_D1552D13_C992_A05E_41E2_02FA1BC9B445.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Man muss sich das wikingerzeitliche Birka (Mitte 8. bis Mitte 10. Jhd. n. Chr.) wohl als einen aufregenden Ort vorstellen. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:10px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Seinerzeit ein bedeutendes Handelszentrum auf der Insel Björkö, Uppland, im östlichen Mittelschweden, bestimmten das rege Treiben der Händler*innen, das geschäftige Tun der Handwerker*innen und ein stetiger Strom interessierter Käufer*innen den dortigen Alltag. Schiffe, die vom Meer über Stockholm durch die Gewässer des Mälarsees steuerten, brachten Güter aus verschiedenen Teilen Westeuropas und des Orients. Vor allem der Pelzhandel bot eine sichere Einnahmequelle für lokale Kaufleute. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:10px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Dieser dynamische Austausch zeigt sich nicht nur in den geborgenen Funden, sondern auch in der Vielfalt der dort nachgewiesenen Bestattungspraktiken, die den Reichtum kultureller und sozialer Einflüsse jener Zeit widerspiegeln.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:10px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Bereits zwei Jahrhunderte später war Birka jedoch, trotz der vorteilhaften Lage sowie der Nähe zu zwei Königshöfen, nur noch ein Schatten seiner selbst. Der Bedeutungsverlust stand möglicherweise in Zusammenhang mit den Plünderungszügen dänischer Wikinger nach Svealand. </SPAN></SPAN></DIV></div>
HTMLText_EC405C44_F436_4A3E_41D8_060EB2C0ACE4.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Messer sind scharf und eignen sich als Waffe. Daher versteht man sie oft eher als männliche Attribute und erwartet sie kaum im Grab einer schwangeren Frau. Ein Blick in römische Gräber zeigt, dass diese Geräte – wie Ahlen, Feuerschläger oder Scheren – zwar zu den typischen Beigaben in Männergräbern zählen, jedoch manchmal auch in Frauenbestattungen zu finden sind. Wofür das Messer der schwangeren Frau aus Ratzersdorf dienen sollte, können wir nur vermuten. In Gräbern der indigenen Iban auf der südostasiatischen Insel Borneo symbolisieren Messer die Trennung der Toten von den Lebenden. Trifft dies womöglich auch auf unser Grab zu und steht für den unerwarteten, wohl abrupten Tod der jungen Frau und ihres ungeborenen Kindes? </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:10px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Jedenfalls sind Messer nicht die einzigen Geräte, die man verstorbenen Frauen in römischer Zeit mitgab. Neben Spinnwirteln, Spiegeln oder Lampen, waren besonders Kämme gefragt. Sie wurden oft aus Bein gefertigt und zur Haarpflege genutzt. Im Leben der Toten fanden sie mitunter bei aufwendigen Frisuren Verwendung. ‚Trendy‘ war besonders die Haartracht römischer Kaiserinnen, die gern nachgeahmt wurde. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_0042F401_3CDC_43E1_41C8_91ABF5650975.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Neben dem Umgang mit dem Körper ist die Grabgestaltung ein wesentlicher Teil des Bestattungsablaufs. Dieser Gestaltungsprozess ist von den Traditionen und Riten abhängig, die für einen erfolgreichen Übergang– ob als Körper-, Brand-, Luft- oder Wasserbestattung – als notwendig erachtet sind. </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Der Leichnam wurde oft bekleidet, geschmückt und mit bestimmten Objekten ausgestattet beigesetzt. Der Körper und die Beigaben waren somit von der und für die bestattende(n) Gesellschaft im Grab arrangiert. Die Bekleidung der Leiche konnte ihr Geschlecht, ihren Status oder Rang sowohl verbildlichen als auch vortäuschen. Am Körper oder in seiner Nähe konnten persönliche Gegenstände als auch Mitgaben platziert werden, die das vergangene Leben und Verdienste repräsentieren. Als Reste eines Festmahls im Rahmen der Beerdigung sind Objekte der Trink- und Esskultur zu verstehen. Diese Art des Leichenschmauses diente der Kontaktpflege und Zurschaustellung sozialer Positionen. Durch Beigabe der Festmahlgegenstände oder Mahlopfer wurde der Tote in diesen Prozess integriert. Neben diesen kommunikativen Funktionen, sollten die Beigaben die verstorbene Person für die Reise und Existenz im Jenseits mit allem Notwendigen ausrüsten.</SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Die Funktionen der Beigaben waren vielfältig. Auch heute noch werden Gegenstände auf oder in dem Grab niedergelegt. Für die Außenstehenden sind deren Bedeutungen - insbesondere für ferne Kulturen - nicht immer eindeutig erschließbar.</SPAN></SPAN></DIV></div>
HTMLText_9642C6FD_F4F3_C7CE_41EC_6A3DD3144F94.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Pfeil und Bogen sind nicht in jeder Epoche als rein männliche Attribute anzusehen. Die Hinterlassenschaften eines der ältesten namentlich bekannten Nomadenvölker – der Skythen – bilden einen herausragenden Beispiel dafür.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Die Skythen drangen im frühen 7. Jh. v. Chr. vom Osten in die nördliche pontokaspische Steppe ein und hinterließen zahlreiche Beispiele für Frauengräber mit Waffen. Die ersten Funde hat die Forschung im 19 Jh. als Gräber fremder Frauen oder als Männerbestattungen interpretiert. Mit den steigenden Entdeckungen und regelmäßiger anthropologischen Begleitung wurde das Vorhandensein der sog. Amazonengräber anerkannt. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Amazonen als Volk der “männergleichen” Frauen kommen in antiken Mythen und auf Darstellungen vor. Für die Amazonengräber ist neben der weiblichen Toten, die Kombination der Beigaben aus weiblichen, männlichen und neutralen Sphären typisch. Zu der männlichen Sphäre zählen ihre Waffen – oft kommen Pfeil und Bogen oder Speer vor, deutlich seltener Schwerter oder Schutzrüstungen. Dass es sich bei der Beigabe der Pfeile und Bogen nicht nur um einen symbolischen Akt handelte, verdeutlichen die Ergebnisse der anthropologischen Untersuchungen der Certomlyk-Nekropole (Ukraine, Ende 5.–4. Jhs. v. Chr.). Manche Toten aus den Gräber hatten eine starke Auslastung der Brustmuskulatur oder der Zeigefinger, was mit der Ausübung des Bogenschießens zu Lebzeiten in Verbindung stehen kann. Für einige Frauen war der Pfeil nicht nur teil der Übungen, sondern auch die Todesursache.</SPAN></SPAN></DIV></div>
HTMLText_E3E89D47_CAF0_8FB9_41E0_386EB75305F9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Waffen, Uniform, Pferde und ein taktisches Denken verlangendes Spiel…Die Ausstattung von Bj. 581 muss bei den Ausgrabungen 1878 einen deutlichen Eindruck vom beigelegten Individuum vermittelt haben. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:10px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Doch wie so oft in den Wissenschaften brachten neue Zeiten auch neue Blickwinkel und brachen bisweilen mit alten Annahmen…so auch im Falle des hier behandelten Grabes.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:10px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Aufgrund der verhältnismäßig guten Knochenerhaltung konnte bei anthropologischen Untersuchungen der Überreste im Grab Bj. 581 ein überraschendes Bild des vermeintlichen Paradebeispiels eines Wikinger-Kriegers von hohem Rang gezeichnet werden: </SPAN></SPAN></DIV><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Es könnte sich hierbei um eine um die 30-jährige Frau mit schlanker, graziler Knochenstruktur handeln, die trotz des „kriegerischen“ Erscheinungsbildes keine Traumata an den Knochen aufweist. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:10px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Jedoch erschwerten verschiedene Aspekte die erheblich später erfolgte anthropologischen Untersuchungen der in Birka Bestatteten. Unter anderem sei hier die Diskrepanz zwischen den in den 1940ern publizierten Daten und dem tatsächlich vorhandenen osteologischen Material, samt zugehörigem Fundkontext genannt. Eine falsche Zuordnung der Gräber und ihrer Bestattungen wäre also durchaus denkbar.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:10px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">Erst 2017 konnte Gewissheit durch neue Untersuchungen  geschaffen werden.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:10px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:justify;font-size:18px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:18px;font-family:'Corbel';">DNA-Proben aus dem linken Eckzahn und Oberarmknochen ermöglichten eine eindeutige Bestimmung und bestätigten damit die vorausgegangenen osteologischen Betrachtungen: bei der Krieger-Bestattung handelt es sich biologisch eindeutig um eine Frau!</SPAN></SPAN></DIV></div>
HTMLText_808B15B0_B31E_E782_41D5_473BF9F7D02F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Eine Auswahl an Literatur, die wir zur Vorbereitung der Ausstellung verwendeten und zum Weiterlesen empfehlen:</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><B>Frau oder Mann? (Einführungsbereich unten)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">E. Aspöck, Über die Variabilität von Totenpraktiken. Oder: Probleme einer dichotomen Auffassung von Toten- bzw. Bestattungsbrauchtum. In: N. Müller-Scheeßel (Hrsg.), Irreguläre Bestattungen in der Urgeschichte: Norm, Ritual, Strafe ...? Akten der Internationalen Tagung in Frankfurt a. M. vom 3. bis 5. Februar 2012. Koll. zur Vor- und Frühgesch. 19 (Frankfurt am Main 2013) 25–38.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">M. Augstein, Gräber – Orte der Lebenden und der Toten, Medien der Kommunikation. In: R. Karl/J. Leskovar (Hrsg.), Interpretierte Eisenzeiten 5 – Fallstudien, Methoden, Theorie. Stud. zur Kulturgesch. von Oberösterreich 37 (Linz 2013) 107–122.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">J. Beutmann/J. Kaiser/G. Manschus/S. Wolfram (Hrsg.), Tod &amp; Ritual: Kulturen von Abschied und Erinnerung: Begleitband zur gleichnamigen Sonderausstellung im Staatlichen Museum für Archäologie Chemnitz vom 16. November 2017 bis 21 Mai 2018 (Dresden 2017).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">S. Brather, Memoria und Repräsentation. Frühmittelalterliche Bestattungen zwischen Erinnerung und Erwartung. In: S. Brather/D. Geuenich/Ch. Huth (Hrsg.), Historia archaeologica. Festschrift für Heiko Steuer zum 70. Geburtstag. Ergbd. RGA² 70 (Berlin 2009) 247–284.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">L. M. Bitel, Women in Early Medieval Europe, 400–1100 (Cambridge 2002).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">R. Chapman/I. Kinnes/K. Randsborg (eds.), The archaeology of death (Cambridge 1982).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">C. J. Clover, Regardless of Sex: Men, Women, and Power in Early Northern Europe. Speculum, 68, 1993, 363–387.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">L. Coltofean-Arizancu/B. Gaydarska/U. Matić (eds.), Gender stereotypes in archaeology. A short reflection in image and text (Leiden 2021).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">G. Halsall, Warfare and Society in the Barbarian West, 450–900 (London, New York 2003). </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">K. P. Hoffmann, Grabbefunde zwischen sex und gender. In: U. Rambuscheck (Hrsg.), Zwischen Diskursanalyse und Isotopenforschung. Methoden der archäologischen Geschlechterforschung. Bericht der 3. Sitzung der AG Geschlechterforschung auf der 78. Tagung des Nordwestdeutschen Verbandes für Altertumsforschung e.V. in Schleswig 2007. Frauen – Forschung – Archäologie 8 (Münster u.a. 2009) 133–161.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">K. P. Hoffmann, Gräber und Totenrituale: Zu aktuellen Theorien und Forschungsansätzen. In: M. K. H. Eggert/U. Veit (Hrsg.), Theorie in der Archäologie: Zur jüngeren Diskussion in Deutschland. Tübinger Arch. Taschenbücher 10 (Münster 2013) 269–298.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:12px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">H. Härke, Gender Representation in Early Medieval Burials: Ritual Re-Afirmation of a Blurred Boundary? In: S. Brookes/S. Harrington/A. Reynolds (eds.), Studies in Early Anglo-Saxon Art and Archaeology: Papers in Honour of Martin G. Welch. BAR British Ser. 527 (Oxford 2011) 98–105 </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">H. Härke, Grave Goods in Early Medieval Burials: Messages and Meanings. Mortality, 19, 2914, 41–60.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">C. Kümmel/B. Schweizer/U. Veit, Körperinszenierung – Objektsammlung – Monumentalisierung. Totenritual und Grabkult in frühen Gesellschaften. Archäologische Quellen in kulturwissenschaftlicher Perspektive (Münster 2008).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">M. Moen, Gender and Archaeology: Where Are We Now? Archaeologies 15, 2019, 206–226. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">J. Müller (Hrsg.), Alter und Geschlecht in ur- und frühgeschichtlichen Gesellschaften. Universitätsforsch. Prähist. Arch. 126 (Bonn 2005).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">M. McLaughlin, The woman warrior: gender, warfare and society in medieval Europe. Women’s Studies 17, 1990, 193–209.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">S. Wolfram (Hrsg.), Diversität in der Archäologie: erforschen, ausstellen, vermitteln. Band zur gleichnamigen Tagung vom 15.05. bis 17.05.2019 am Staatlichen Museum für Archäologie Chemnitz - smac (Chemnitz 2022).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><B>Das Grab von Suontaka Vesitorninmäki (Einführungsbereich unten)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">U. Moilanen/T. Kirkinen/N. Saari/A. Rohrlach/J. Krause/P. Onkamo/E. Salmela, A Woman with a Sword? – Weapon Grave at Suontaka Vesitorninmäki, Finland. European Journal of Archaeology, 25,1, 2022, 42–60.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">A. Simniškytė, Weapons in Iron Age Women’s Graves. In: A. Bliujienė (ed.), Weapons, Weaponry, and Man: In Memoriam Vytautas Kazakevicius . Archaeologia Baltica 8 (Klaipėda 2007). </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">A. Wessman, Death, Destruction, and Commemoration: Tracing Ritual Activities in Finnish Late Iron Age Cemeteries (AD 550–1150). Iskos, 18 (Helsinki 2010).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><B>Ist Frausein "Schmuck"? (rote Kuppel)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">O. Heinrich-Tamáska/P. Straub (Hrsg.), Keszthely-Fenékpuszta im Spiegel der Jahrtausende. – Az évezredek tükrében (Leipzig, Zalaegerszeg 2009).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">K. Rebay-Salisbury, Tod während Schwangerschaft und Geburt in der Eisenzeit. In: S. Wefers u.a. (Hrsg.), Übergangswelten – Todesriten. Neue Forschungen zur Bestattungskultur der mitteleuropäischen Eisenzeit. Beitr. zur Ur- und Frühgesch. Mitteleuropas 86 (Langenweissbach 2018) 91–107.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">R. Risy, Municipium Aelium Cetium. 20 Jahre Stadtarchäologie 1988–2008. Studien zur Topographie und Siedlungsgeschichte vom Neolithikum bis zum Frühen Mittelalter. Diss. Univ. Wien (Wien 2009).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">R. Risy (Hrsg.), Verstorben, begraben und vergessen? St. Pöltner Friedhöfe erzählen. Begleitbuch zur gleichnamigen Ausstellung im Stadtmuseum St. Pölten vom 12. September bis 3. November 2018 (St. Pölten 2019). </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">S. Ulrich-Bochsler, Von Traufkindern, unschuldigen Kindern, Schwangeren und Wöchnerinnen. Anthropologische Befunde zu Ausgrabungen im Kanton Bern. In: J. Schibler/J. Sedlmeier/H. Spycher (Hrsg.), Beiträge zur Archäozoologie, Archäologie, Anthropologie, Geologie und Paläontologie. Festschrift für Hans R. Stampfli (Basel 1990) 309–318.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">S. Ulrich-Bochsler, Anthropologische Befunde zur Stellung von Frau und Kind im Mittelalter und Neuzeit. Soziobiologische und soziokulturelle Aspekte im Lichte von Archäologie, Geschichte, Volkskunde und Medizingeschichte. Schr. Erziehungsdirektion Kanton Bern (Bern 1997).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Zu dem noch unpublizierten Gräberfeld von Ratzersdorf: </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.leibniz-gwzo.de/de/forschung/mensch-und-umwelt/spaetantike-graeberfelder-der-donau" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>https://www.leibniz-gwzo.de/de/forschung/mensch-und-umwelt/spaetantike-graeberfelder-der-donau</I></SPAN></A></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">Zu einem aktuellen Projekt „Der soziale Status von Mutterschaft im bronzezeitlichen Europa“: </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://www.oeaw.ac.at/oeai/forschung/praehistorie-wana-archaeologie/praehistorische-identitaeten/der-soziale-status-von-mutterschaft-im-bronzezeitlichen-europa" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>https://www.oeaw.ac.at/oeai/forschung/praehistorie-wana-archaeologie/praehistorische-identitaeten/der-soziale-status-von-mutterschaft-im-bronzezeitlichen-europa</I></SPAN></A></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><B>Schmuck Macht Männer (gelbe Kuppel)</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">J. Biel, Der Keltenfürst von Hochdorf (Stuttgart 1995).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">S. Burmeister, Die Herren der Ringe: Annährung an ein späthallstattzeitliches Statussymbol. In: U. Veit u. a. (Hrsg.), Spuren und Botschaften: Interpretationen materieller Kultur. Tübinger Arch. Taschenbücher 4 (Berlin 2003) 265–297.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">T. Fischer, Römer und Bajuwaren an der Donau: Bilder zur Frühgeschichte Ostbayerns (Regensburg 1988). </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">T. Gärtner, Alter, Geschlecht und soziale Rolle – Untersuchungen zu den frühmittelalterlichen Gräberfeldern von Straubing-Bajuwarenstraße, Peigen und Künzing-Bruck. Bayerische Vorgeschichtsbl. 77, 2012, 151–172.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">T. Gärtner/B. Haas-Gebhard/M. Harbeck/F. Immler/A. Rott, Frühmittelalterliche Frauen in Waffen? Divergenzen zwischen der archäologischen und anthropologischen Geschlechtsansprache. Bayerische Vorgeschichtsbl.r 79, 2014, S. 219–240. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">H. Geisler, Das frühbairische Gräberfeld Straubing-Bajuwarenstraße – Ia. Die Perlen: Farbbilder. </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://epub.uni-regensburg.de/18913/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>Online-Ausgabe</I></SPAN></A></SPAN><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">  (Regensburg 2010).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">H. Geisler, Das frühbairische Gräberfeld Straubing-Bajuwarenstraße I: Textband. Tafelband. Beilagen. </SPAN><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="https://epub.uni-regensburg.de/37462/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';"><I>Online-Ausgabe</I></SPAN></A></SPAN><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">  (Regensburg 2018). </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:8px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#cccccc;font-size:16px;font-family:'Corbel';">B. Haas-Gebhard, Die Baiuvaren. 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## Tour

### Description

### Title
tour.name = Vom Grab in die Vitrine: (Ge)schlecht verstanden?