TABLE OF CONTENTS
PREFACE vii
I. ORDERS AND BORDERS 1
1.1 The Gap of the Grotesque 1
1.2 Contradiction: a Model of Conflict 5
1.3 The Roots of the Grotesque 9
1.4 The Method 14

II. CÉLINE'S VOYAGE AU BOUT DE LA NUIT: "A QUEST WITHOUT ANY MEANING"

15
2.1 Introduction 15
2.2 A Twisted Tale, A Twisted Teller 18
2.3 A Syncretic Style 19
2.4 Narrative Laxity 23
2.5 Bardamu's "Narraving" 30
2.6 A Mad Mad World 39
2.7 A Vast and Universal Mockery of War 40
2.8 The Degradation and Depravation of Misery 43
2.9 A Malevolent Mother Nature 47
III.GRASS ROOTS: TIN DRUM GROTESQUE 51

3.1. Introduction

51
3.2 The Circular Hermeneutics of Psychosis 55
3.3 Chaos, Disorder, and the Dissolution of the Family 70
3.4 Paternal Disability 74
3.5 Maternal Disaffection 78
3.6 Filial Discontinuity 85
IV. MADNESS AND INCEST IN CIEN AÑOS DE SOLEDAD 91
4.1 Introduction 91
4.2 Hermeneutic Delirium and One Hundred Years of Solitude 93
4.3 Madness and the Manuscript of Melquíades 94
4.4 Fiction and the Truth of the Lie 98
4.5 The Still Life that Moves 103
4.6 Family, Incest, and Social Decay 108
4.7  The Epic Answer and Paternal Order 109
4.8 The Repressive Response of the Eternal Maternal. 111
4.9  The Rebel and Resistance to Repression 113
4.10 The Failure of Repression and the Fall of the Family 115
V. THE DEFORMITY OF THE HUMAN BODY 119
VI. BIBLIOGRAPHY 125

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